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Threescore years and ten is all too short a time to learn what woman really is, and every student leaves this world with the conviction that of the thousand sides which the female of man presents to the male of woman, not one reveals the being he desires to know. There is always a deep below a deep; a veil behind a veil, a sphere within a sphere.
When we try to make clear to ourselves how a point moves along an infinitely divisible line, do we not seem to land in sheer absurdities? On what sort of evidence does a man base his statements regarding space? They are certainly very bold statements. A careful reflection reveals the fact that men do not speak as they do about space for no reason at all.
As W.C. Brownell wrote years ago: "Rodin reveals rather than constructs beauty... no sculptor has carried expression further; and expression means individual character completely exhibited rather than conventionally suggested." Mr. Brownell was also the first critic to point out that Rodin's art was more nearly related to Donatello than to Michael Angelo.
One is the book of a soldier, who had a share in the deeds described, and who reveals himself for what he is, with all his prejudices, vanities and arrogance; the other is a scholar's attempt to imitate a classic history and to maintain a monotonous music throughout his paragraphs.
The praise-worthy qualities of courage, love, unselfishness, truth, industry, and humility are portrayed in the dealings of the field and forest folk and the consequential reward of these virtues is clearly shown; he also reveals the unhappy results of greed, jealousy, trickery and other character weaknesses.
An American correspondent evidently not unfriendly writing of Pretoria about October 20, records an instructive anecdote, which reveals much of the Boer idea and purpose, and suggests food for thought as to underlying causes, not unprecedented in history, which from the first, if then known, would have foretold sure defeat.
And, indeed, the accident that robs us of our love, that leads us along in triumph, or even that seats us on a throne, reveals but little of the workings of destiny; which, indeed, lie far more in the thoughts that arise in our mind as we look at the men around us, at the woman we love; as we dwell on the feelings within us; as we fix our eyes on the evening sky with its crown of indifferent stars.
The sneak-thief, the pickpocket, and the burglar, have certain habits, attitudes, haunts; they act in certain ways when placed in certain positions, which reveal them and their occupations to a practiced eye, with almost as much certainty as the form and aspect of a blade of grass reveals its genus and species to the eye of a practiced botanist.
His delight reveals almost Wertherian powers of "sensibility." Even the family troubles could not damp his ardour. His father had embarked on questionable speculations, which now threatened the Buonapartes with bankruptcy, unless the French Government proved to be complacent and generous.
It is sometimes curious to notice how a critic, possessing no little cultivation and fertility, will, in speaking of a work of art, let fall almost accidentally some apparently trivial comment, which reveals to us with an instantaneous and complete mental illumination the fact that he does not, so far as that work of art is concerned, in the smallest degree understand what he is talking about.
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