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"Ogni Lascivia, ogni male, nulla giustizia, nullo freno. Non c'era piu remedia, ogni persona periva. Allora Cola di Rienzi." &c. "Vita di Cola di Rienzi", lib. i. chap. 2. "Every kind of lewdness, every form of evil; no justice, no restraint. Remedy there was none; perdition fell on all. Then Cola di Rienzi," &c. "Life of Cola di Rienzi".

But a five-ton yacht off the Outer Hebrides in bleak tempests No, it was too heroic. Even my dear old friend Burton for all his wit and imagination had never devised such a remedia amoris, such a remedy for Love Melancholy.

Was she dreaming or had her brain given way? Or was this really Messer Blondel the austere Syndic, this man standing before her, shaking in his limbs as he poured forth this strange farrago of remedia and scholars and princes and the rest? Or if she were not mad was he mad? Or could there be truth, any truth, any fact in the medley?

Meanwhile Ovid attempted, two years later, a sort of recantation in the Remedia Amoris, the frivolity of which, however, renders it as immoral as its predecessor though less gross; and he finished his treatment of the subject with the Medicamina Faciei, a sparkling and caustic quasi-didactic treatise, of which only a fragment survives.

"Varra true, Sir Gervaise, but ye've let him blood, amang ye: a measure that has been somewhat precipitately practised, I've my misgivings!" "Now, any old woman can tell us better than that, doctor. Blood-letting is the every-day remedy for attacks of this sort." "I do not dispute the dogmas of elderly persons of the other sex, Sir Gervaise, or your every-day remedia.

"Horum quos enumeravimus omnium defectuum remedia," says the Bacon of the seventeenth century, "...opera sunt vere basilica; erga quae privati alicujus conatus et industria fere sic se habent ut Mercurius in bivio, qui digito potest in viam intendere, pedem inferre non potest." De Aug. Scient. Lib. II. Ad Regem Suum. A still more remarkable parallelism is to be found in the following passages.

Every student knows the sentence in which he describes the gradual decay of all that was good in the Roman character: "donec ad haec tempora, quibus nec vitia nostra nec remedia pati possumus, perventum est"; but it is not every student who can recognise in it a real sigh of despair, an unmistakable token of the sadness of the age.