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Madame de Bergenheim began to play the Duke of Reichstadt's Waltz, striking only the first measure of the accompaniment, in order to show her lover where to put his fingers. The waltz went on. Clemence played the air and Octave the bass, two of their hands remaining unoccupied those that were close to each other.
Madame de Bergenheim began to play the Duke of Reichstadt's Waltz, striking only the first measure of the accompaniment, in order to show her lover where to put his fingers. The waltz went on. Clemence played the air and Octave the bass, two of their hands remaining unoccupied those that were close to each other.
Madame de Bergenheim began to play the Duke of Reichstadt's Waltz, striking only the first measure of the accompaniment, in order to show her lover where to put his fingers. The waltz went on. Clemence played the air and Octave the bass, two of their hands remaining unoccupied those that were close to each other.
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