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True enough; there was one signature, So-and-So, and beneath, "Chief of Administration of the Third Class and Knight of Charles III"; another, Somebody Else, and beneath was written "Commander of the Battalion of Isabella the Catholic, with the Cross of Maria Cristina." Regoyos read them and burst out laughing. "What an idea!" exclaimed the director of the Museum, as he closed the volume.

I remember going to a cafe on the Calle de Alcala known as la Maison Doree one afternoon with Regoyos. Felipe Trigo, the novelist, sat down at our table with a friend of his, a journalist, I believe, from America.

Trigo put in his oar and uttered a number of preposterous statements. In particular, he described a ship which had unloaded at Milan. When Regoyos pointed out that Milan was not a seaport, he replied: "Probably it was some other place then. What is the difference?"

Some years ago, I cannot say just how many, probably twelve or fourteen, during the days when I led, or thought I led, a nomadic life, happening to be in San Sebastian, I went to visit the Museum with the painter Regoyos.

I have never been a friend of Trigo's, and could never take any interest either in the man or his work, which to my mind is tiresome and commercially erotic, besides being absolutely devoid of all charm. Regoyos, who is effusive by nature, soon became engaged in conversation with them, and the talk turned upon artistic subjects, in which he was interested, and then to his travels abroad.

Trigo imagines that he is a magician, who understands the female mind." "Well, does he?" asked Regoyos, with naive innocence. "How can he understand anything? The poor fellow is ignorant. His other attainments are on a par with his geography." The ignorance of authors and journalists is accompanied as a matter of course by a total want of comprehension.

Among the principal painters attracted by its ideas and research, we must mention, in Germany, Max Liebermann and Kuehl; in Norway, Thaulow; in Denmark, Kroyer; in Belgium, Théo Van Rysselberghe, Emile Claus, Verheyden, Heymans, Verstraete, and Baertson; in Italy, Boldini, Segantini, and Michetti; in Spain, Zuloaga, Sorolla y Bastida, Dario de Regoyos and Rusiñol; in America, Alexander, Harrison, Sargent; and in England, the painters of the Glasgow School, Lavery, Guthrie and the late John Lewis Brown.

He continued with a string of geographical and anthropological blunders, which were concurred in by the journalist, while Regoyos and I sat by in amazement. When we left the cafe, Regoyos inquired: "Could they have been joking?" "No; nonsense. They do not believe that such things are worth knowing. They think they are petty details which might be useful to railway porters.