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Great political events might be indeed maturing, but oh, how slowly, and there was always that standing danger of her "Moorish Prince" the young Wallachian student, Janko von Racowitza, the "dragon who guards my treasure," as he had once called him, and who, though betrothed to her, was the slave of her caprices, ready to sacrifice himself if she loved another better, a gentle, pliant creature Lassalle could scarcely understand, especially considering his princely blood.
He went about trying to explain his action to his friends, but he could say nothing that would ease his feeling and reinstate him in the eyes of the romantic girl. In a frenzy, he sought out the Wallachian student, Yanko von Racowitza, and challenged him to a mortal duel. He also challenged Helene's father.
In the autobiography of Princess Hélène Racowitza the tragically beloved of Ferdinand Lassalle there is evidence of such transport. She has but reached one of the commonplaces of tourist ventures. From the Wengern Alp she watches the play of night and dawn on the Jungfrau: Again and again the glory of God drew me to the window.
He suffered terribly, and nothing but opium in great doses could relieve his pain. His wound was mortal, and three days later he died. Long after, Helene admitted that she still loved Lassalle, and believed that he would win the duel; but after the tragedy, the tenderness and patience of Racowitza won her heart. She married him, but within a year he died of consumption.
He suffered terribly, and nothing but opium in great doses could relieve his pain. His wound was mortal, and three days later he died. Long after, Helene admitted that she still loved Lassalle, and believed that he would win the duel; but after the tragedy, the tenderness and patience of Racowitza won her heart. She married him, but within a year he died of consumption.
There is much that is striking in either of these parallels. Thoughts of what might have been, had Lassalle's career in politics not been brought to so melancholy an end, are likely to be idle. Helen von Racowitza, the pathetic instrument of his fate, not unnaturally indulged her fancy in such thoughts.
At twelve years of age she had been betrothed to an Italian of forty; but this dark and pedantic person always displeased her, and soon afterward, when she met a young Wallachian nobleman, one Yanko Racowitza, she was ready at once to dismiss her Italian lover. Racowitza young, a student, far from home, and lacking friends appealed at once to the girl's sympathy.
He went about trying to explain his action to his friends, but he could say nothing that would ease his feeling and reinstate him in the eyes of the romantic girl. In a frenzy, he sought out the Wallachian student, Yanko von Racowitza, and challenged him to a mortal duel. He also challenged Helene's father.
At twelve years of age she had been betrothed to an Italian of forty; but this dark and pedantic person always displeased her, and soon afterward, when she met a young Wallachian nobleman, one Yanko Racowitza, she was ready at once to dismiss her Italian lover. Racowitza young, a student, far from home, and lacking friends appealed at once to the girl's sympathy.
A great source of inspiration to Emma Goldman proved the Russian revolutionists who were associated in the group ZNAMYA. Goldenberg, Solotaroff, Zametkin, Miller, Cahan, the poet Edelstadt, Ivan von Schewitsch, husband of Helene von Racowitza and editor of the VOLKSZEITUNG, and numerous other Russian exiles, some of whom are still living, were members of this group.
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