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But the originality and fecundity and inventiveness that he lacked, Strawinsky to great degree possesses. And so it was given to the pupil to enter the chamber outside of which the master stood all his life, and could not enter, and saw only by peering furtively through the chinks of the door. Rachmaninoff
And so M. Rachmaninoff comes amongst us like a very charming and amiable ghost.
"Your MacDowell has written some nice music, some pretty music; I am familiar with his Concerto in D minor, some of the short pieces and the Sonatas. As for modern piano concertos there are not many, it is quite true. There is the Rachmaninoff, the MacDowell I mentioned, the D minor of Rubinstein, and the Saint-Saens in G minor.
I want to know how you can talk on the piano. What have you got in that folio? Beethoven? Rachmaninoff? M'Dowell? We'll try the Beethoven. Now don't be nervous. Just fire away as if you were practising at home!" It was all very well, Ingred thought, for Dr. Linton to tell her not to be nervous, but it was a considerable ordeal to have to perform a test piece before so keen a critic.
But the public demand for the purely musical, the purely artistic, is being continually manifested. "Modern composers are writing with this in view rather than huge technical combinations. The giant of to-day, to my mind, is indisputably Rachmaninoff. He is writing the greatest original music for piano of any living composer.
He was mightily intrigued. She was a queer kid, he told himself, as changeable and difficult to follow as some of the music by men with such weird names as Rachmaninoff and Tschaikowsky that his sister was so precious fond of playing.
All have had the revision of the artists in person before publication was undertaken. In order to indicate how carefully and willingly this was done by the pianists it is interesting to note the case of the great Russian composer-virtuoso Rachmaninoff. The original conference was conducted in German and in French. The material was arranged in manuscript form in English.
"An orchestral conductor should know the works he conducts so thoroughly that he need not have the score before him. I have done considerable conducting the past few years. Last season I gave a series of historical recitals, tracing the growth of the piano concerto, from Mozart down to the present. I played nineteen works in all, finishing with the Rachmaninoff Concerto." Mr.
There have been composers of genius who have done little to enlarge the physical boundaries of their art, have accepted the grammar of music from others, and have rounded an epoch instead of initiating a new one. Nevertheless, M. Rachmaninoff cannot quite be included in their company.
I rank Rachmaninoff very highly, and of course use his Preludes, not only the well-known ones the C and G minor but the set of thirteen in one opus number; they are most interesting. I use a good deal of Russian music; Liadow has composed some beautiful things; but Tschaikowsky, in his piano music, is too complaining and morbid, as a rule, though he is occasionally in a more cheerful mood.
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