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Then he heard Harrier's Kensingtonian voice in the telephone asking who he was. "Is that Mr. Machin's room?" he continued, imitating with a broad farcical effect the acute Kensingtonianism of Mr. Marrier's tones. "Is Miss Ra-ose Euclid there? Oh! She is! Well, you tell her that Sir John Pilgrim's private secretary wishes to speak to her? Thanks. All right. I'll hold the line." A pause.
Marrier, now back at the table after a successful expedition, beamed over his ice: "It was your 'Constance' that led to your friendship with the Countess of Chell, wasn't it, Ra-ose? You know," he turned to Edward Henry, "Miss Euclid and the Countess are virry intimate." "Yes, I know," said Edward Henry. Rose Euclid continued to blush. Her agitated hand scratched the back of the chair behind her.
Carlo Trent kissed her hand, respectfully for she was old enough to be his mother. "And you are the greatest tragic actress in the world, Ra-ose!" said he in the Kensingtonian bass. A few moments earlier Rose Euclid had whispered to Edward Henry that Carlo Trent was the greatest dramatic poet in the world.
He glanced encouragingly at Rose Euclid. "Don't you see it in the illustrated papers? A prayvate supper-party at Wilkins's Hotel. Miss Ra-ose Euclid reciting verse at a discussion of the plans for her new theatre in Piccadilly Circus. The figures, reading from left to right, are, Mr. Seven Sachs, the famous actor-author, Miss Rose Euclid, Mr. Carlo Trent, the celebrated dramatic poet, Mr.
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