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Paris which, so to speak was not lighted at that epoch, presented to the eye a confused collection of black masses, cut here and there by the whitish curve of the Seine. Quasimodo no longer saw any light with the exception of one window in a distant edifice, whose vague and sombre profile was outlined well above the roofs, in the direction of the Porte Sainte-Antoine.

When they had traversed the populace and the Place, the cloud of curious and idle were minded to follow them. Quasimodo then constituted himself the rearguard, and followed the archdeacon, walking backwards, squat, surly, monstrous, bristling, gathering up his limbs, licking his boar's tusks, growling like a wild beast, and imparting to the crowd immense vibrations, with a look or a gesture.

The scene of the IN PACE, for example, in spite of its strength, verges dangerously on the province of the penny novelist. I do not believe that Quasimodo rode upon the bell; I should as soon imagine that he swung by the clapper. One other fault, before we pass on.

"Do you see that demon passing and repassing in front of the fire?" exclaimed the Duke of Egypt. "Pardieu, 'tis that damned bellringer, 'tis Quasimodo," said Clopin. The Bohemian tossed his head. "I tell you, that 'tis the spirit Sabnac, the grand marquis, the demon of fortifications. He has the form of an armed soldier, the head of a lion. Sometimes he rides a hideous horse.

This sally was not fitted to arrest the explosion of general merriment. It struck all as so whimsical, and so ridiculous, that the wild laughter even attacked the sergeants of the Parloi-aux-Bourgeois, a sort of pikemen, whose stupidity was part of their uniform. Quasimodo alone preserved his seriousness, for the good reason that he understood nothing of what was going on around him.

There began an odd game, a dancing match, which the young man led adroitly, always with his thought upon the open window. There would be no shooting; Quasimodo would not want the police either. Half a dozen times his fingers touched futilely the dancing master's coat. Bank and forth across the room, over the bed, round the stand and chairs.

Ten minutes later, the cavaliers of the watch fled in terror before a long procession of black and silent men which was descending towards the Pont an Change, through the tortuous streets which pierce the close-built neighborhood of the markets in every direction. That night, Quasimodo did not sleep. He had just made his last round of the church.

The vagabonds howled, panted, swore, climbed; and Quasimodo, powerless against so many enemies, shuddering for the gypsy, beholding the furious faces approaching ever nearer and nearer to his gallery, entreated heaven for a miracle, and wrung his arms in despair.

The priest, whose eyes looked down upon the town, was resting his breast on that one of the four sides of the balustrades which looks upon the Pont Notre-Dame. Quasimodo, advancing with the tread of a wolf behind him, went to see what he was gazing at thus. The priest's attention was so absorbed elsewhere that he did not hear the deaf man walking behind him.

Quasimodo being deaf, understood nothing of the proceedings in the court next day, when he was charged with creating a disturbance, and of rebellion and disloyalty to the King's Archers. The chief magistrate, also being deaf and at the same time anxious to conceal his infirmity, understood nothing that Quasimodo said.