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With many expressions of appreciation we took our leave of the Oriental studio and its distinguished occupants; and, as we regained the busy, noisy rue de Clicy, we said to ourselves that we had just lived through one of the most unique experiences of our stay in Paris. The following items concerning M. Pugno's manner of teaching and personal traits, were given me by Mme.
"Pugno's instruction took the form of talks on the inner meaning of the composition, and the art of interpreting it, rather than any training on the technical side; about the latter he concerned himself very little. It goes without saying that only talented pupils made progress under such a master; indeed those without talent interested him not at all.
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