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Where are the polished surfaces of the cultured studio worker; where the bric-a-brac which we inseparably connect with pseudo-Spanish art? You will not find any of them. Sorolla, with good red blood in his veins, the blood of a great, misunderstood race, paints what he sees on the top of God's earth. He is not a book but a normal nature-lover.
Reassured he looked across the lawns toward the Cardross villa, a big house of coquina cement, very beautiful in its pseudo-Spanish architecture, red-tiled roofs, cool patias, arcades, and courts; the formality of terrace, wall, and fountain charmingly disguised under a riot of bloom and foliage.
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