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Or, perhaps, of that class, who, in the sapience of taste, are disgusted with those very flavours in the productions of their own country which have yielded infinite delectation to their faculties, when imported from another clime; and d n an author in despite of all precedent and prescription; who extol the writings of Petronius Arbiter, read with rapture the amorous sallies of Ovid's pen, and chuckle over the story of Lucian's ass; yet, if a modern author presumes to relate the progress of a simple intrigue, are shocked at the indecency and immorality of the scene; who delight in following Guzman d'Alfarache, through all the mazes of squalid beggary; who with pleasure accompany Don Quixote and his squire, in the lowest paths of fortune; who are diverted with the adventures of Scarron's ragged troop of strollers, and highly entertained with the servile situations of Gil Blas; yet, when a character in humble life occasionally occurs in a performance of our own growth, exclaim, with an air of disgust, "Was ever anything so mean! sure, this writer must have been very conversant with the lowest scenes of life"; who, when Swift or Pope represents a coxcomb in the act of swearing, scruple not to laugh at the ridiculous execrations; but, in a less reputed author, condemn the use of such profane expletives; who eagerly explore the jakes of Rabelais, for amusement, and even extract humour from the dean's description of a lady's dressing-room; yet in a production of these days, unstamped with such venerable names, will stop their noses, with all the signs of loathing and abhorrence, at a bare mention of the china chamber-pot; who applauded Catullus, Juvenal, Persius, and Lucan, for their spirit in lashing the greatest names of antiquity; yet, when a British satirist, of this generation, has courage enough to call in question the talents of a pseudo-patron in power, accuse him of insolence, rancour, and scurrility.
Or, perhaps, of that class, who, in the sapience of taste, are disgusted with those very flavours in the productions of their own country which have yielded infinite delectation to their faculties, when imported from another clime; and d n an author in despite of all precedent and prescription; who extol the writings of Petronius Arbiter, read with rapture the amorous sallies of Ovid's pen, and chuckle over the story of Lucian's ass; yet, if a modern author presumes to relate the progress of a simple intrigue, are shocked at the indecency and immorality of the scene; who delight in following Guzman d'Alfarache, through all the mazes of squalid beggary; who with pleasure accompany Don Quixote and his squire, in the lowest paths of fortune; who are diverted with the adventures of Scarron's ragged troop of strollers, and highly entertained with the servile situations of Gil Blas; yet, when a character in humble life occasionally occurs in a performance of our own growth, exclaim, with an air of disgust, "Was ever anything so mean! sure, this writer must have been very conversant with the lowest scenes of life;" who, when Swift or Pope represents a coxcomb in the act of swearing, scruple not to laugh at the ridiculous execrations; but, in a less reputed author, condemn the use of such profane expletives; who eagerly explore the jakes of Rabelais, for amusement, and even extract humour from the dean's description of a lady's dressing-room; yet in a production of these days, unstamped with such venerable names, will stop their noses, with all the signs of loathing and abhorrence, at a bare mention of the china chamber-pot; who applauded Catullus, Juvenal, Persius, and Lucan, for their spirit in lashing the greatest names of antiquity; yet, when a British satirist, of this generation, has courage enough to call in question the talents of a pseudo-patron in power, accuse him of insolence, rancour, and scurrility.
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