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He wes convoyit to Berwick be the gaird, conform to the Earle's promes; for he promesit to put him out of Scottis grund: Sua, he keipit an Hielandman's promes, in respect he sent the gaird to convoy him out of Scottis grund; bot yai wer not directit to pairt wt: him, bot to fetche him bak againe.
Je comance a ouvrire mes yeux a votre egar, Madame, vous ne voulez pas de mois, ce soire, malgre votre promes, et ma malheureuse situation. The quarrels grew more frequent and more embittered. We have marked his suspicious view of the lady's movements. On September 26, 1750, she had not returned, and he wrote to her in the following terms. The Prince. September 26, 1750.
It is first necessary to consider, Why, probably, the compositions of the Ancients, especially in their serious Plays were after this manner? And this, the judicious HORACE clearly speaks of, in his Arte Poetica; where he says Non tamen intus Digna geri, promes in scenam: multaque tolles Ex oculis, quae mox narret facundia praesens.
"Segnius irritant animos demissa per aurem Quam quae sunt occulis subjecta fidelibus. "For he says, immediately after, "Non tamen intus Digna, geri promes in scenam, Multaque tolles Ex occulis, quae mox narret facundia praesens. "Among which 'many, he recounts some, "Nec pueros coram populo MEDEA trucidet, Aut in avem PROGNE mutetur, CADMUS in anguem, &c.
It is impossible for the Reader's Imagination to multiply twenty Men into such prodigious Multitudes, or to fancy that two or three hundred thousand Soldiers are fighting in a Room of forty or fifty Yards in Compass. Incidents of such a Nature should be told, not represented. 'Non tamen intus Digna geri promes in scenam: multaque tolles Ex oculis, qua mox narret facundia proesens. Hor.
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