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Briefly they are the Old Procuratie, which forms the side on which the clock is, the Atrio or Nuova Fabbrica opposite S. Mark's, and the New Procuratie on the Campanile side. The Old Procuratie, whose main row of windows I once counted, making either a hundred or a hundred and one, is now offices and, above, residences.
It was in a crowd, but no one turned round at the utterance of terms which Anglo-Saxons would scarcely use in their most emotional moments. The old gentleman who sells boxes for the theatre in the Old Procuratie always gave me his benediction when I took a box.
Vervain had not felt well enough that morning to come to the spectacle which she had counted so much upon seeing, but she had therefore insisted the more that her daughter should go, and Ferris now stood with Florida alone at a window in the Old Procuratie.
Beneath these three buildings the two Procuratie and the Fabbrica Nuova runs an arcade where the Venetians congregate in wet weather and where the snares for tourists are chiefly laid by the dealers in jewellery, coral, statuary, lace, glass, and mosaic. But the Venetian shopkeepers are not clever: they have not the sense to leave the nibbler alone.
I hope that the reader adds to this sketch, even in the winter time, occasional tourists under the Procuratie, at the caffe, and in the shops, where the shop-keepers are devouring them with the keenness of an appetite unsated by the hordes of summer visitors. I hope that the reader also groups me fishermen, gondoliers, beggars, and loutish boys about the base of St.
Looking northward up the Piazzetta from the Molo, the vision traverses the eastern breadth of the Piazza, and rests upon the Clock Tower, gleaming with blue and gold, on which the bronze Giants beat the hours; or it climbs the great mass of the Campanile San Marco, standing apart from the church at the corner of the New Procuratie, and rising four hundred feet toward the sky the sky where the Venetian might well place his heaven, as the Moors bounded Paradise in the celestial expanse that roofed Granada.
The square itself was taken up by the booths of hucksters, rope-dancers and astrologers, while promenaders in travesty thronged the arcades, and the ladies of the nobility, in their white masks and black zendaletti, surveyed the scene from the windows of the assembly-rooms in the Procuratie, or, threading the crowd on the arms of their gallants, visited the various peep-shows and flocked about the rhinoceros exhibited in a great canvas tent in the Piazzetta.
There is a stately staircase with a marble portico on each side; the vestibules are crowded with frescoes, and made light by sky-blue ceilings across which graceful figures float amid ornament rich in design, but so well proportioned that the building carries it, as a woman carries her head-dress, with an ease that charms the eye; in short, the grace and dignity that characterize the Procuratie in the piazetta at Venice.
Or if the wind blows hard from the east, the pigeons sit in long rows under the eaves of the Procuratie; their necks drawn into their shoulders, and the neck feathers ruffled round their heads, till they have lost all shape, and look like a row of slate-colored cannon-balls. From Saint Mark's the pigeons have sent out colonies to the other churches and campi of Venice.
They belong so entirely to the place, and especially to the great square; they have made their homes for so many generations among the carvings of the Basilica, at the feet of the bronze horses, and under the massive cornices of the New Procuratie, that the great Campanile itself is hardly more essential to the character of the piazza than are these delicate denizens of Saint Mark's.
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