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Then there was Praed, fresh from editing the Etonian, as a product of collective boyish effort unique in its literary excellence and variety; and Sidney Walker, Praed's gifted school fellow, whose promise was blighted by premature decay of powers; and Charles Austin, whose fame would now be more in proportion to his extraordinary abilities, had not his unparalleled success as an advocate tempted him before his day to retire from the toils of a career of whose rewards he already had enough.
David Vavasour Williams had left home to the relief of his father and the whole village, if even to the half-pitying regret of his old nurse, in 1896. He had spent a year or more in Mr. Praed's studio studying to be an architect or a scene painter. Then somehow or other he did not get on with Mr.
The poet Praed's immortal Vicar, Who wisely wore the cleric gown, Sound in theology and liquor; Quite human, though a true divine, His fellow-men he would not libel; He gave his friends good honest wine, And drew his doctrine from the Bible.
Praed's stories, as in real life, a personal acquaintance with other countries gives the Australian a truer appreciation of the good in his own.
So obvious is this loss in the stories of pastoral life, that one is almost fain to assume it to be the result of deliberate choice. How far the author, in this section of his writing, has neglected the social and dramatic possibilities of country life, can be judged by noting Mrs. Campbell Praed's work in The Head Station, Policy and Passion, or The Romance of a Station.
"Cousin Tom" by-the-way, did you ever read Mackworth Praed's lines on the same theme? is allowed opportunities for, and latitude in, flirtation, which poor Corydon, not a cousin never so remote, may sigh in vain for; and, who would be so despicable as to impute secular motives to the Reverend Hobplush's tender ministrations towards those sweet young "sisters," who dote on his sucking sermons and work him carpet slippers and text-markers without limit?
In their own country there exist certain safeguards which prevent any abuse of this system, but it was found that under the English law a clever parent could manage to dispose of his daughter's hand several times over, so that really the plot of Mrs. CAMPBELL PRAED'S somewhat unpleasant play "Arianne" was anticipated in the little colony of Labuan.
Honoria Longleat, the principal study of Mrs. Praed's second novel, may, with a few obvious deductions, be taken as a fair example of the colonial woman educated beyond sympathy with her native surroundings, and unprovided with any employment for her mental energies.
I send you Praed's last beautiful little song 'Tell him I love him yet. It will tell you every thing. An answer I have scribbled to it as if written by a man. Keep both, and when I am dead, should you survive me, dear, lay them if you can in my coffin, close, close to my heart!"
When he first met her she was the boon companion, the mistress more or less, and unattached of a young barrister, a college friend of Praed's. Kate Warren at that time called herself Kitty Vavasour; and on the strength of having done a turn or two on the music halls considered herself an actress with a right to a professional name. It was in this guise that the "Revd."
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