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And at last he composed and grouped together twenty-four poems in his Poème de la Vie humaine fine odes and songs, written for classic airs and choruses, a vast repertory of the people's joys and sorrows, fitting the momentous hours of family or public life.
R. Basset, Le Poème de Sabi, p. 15 et suis. Paris, 1879. Other poems for instance, that of Sidi Hammen and that of Job are equally celebrated in Morocco. The complaints on religious subjects are accompanied on the violin, while those treating of a historical event or a story with a moral have the accompaniment of a guitar.
This astounding achievement in bronze, appropriately named the "Poeme de la Vigne," created quite a sensation at the time. Reproductions appeared in papers of all countries containing a printing press or photographic machine. But for the artist's name, doubtless his work would have attained the gold medal and other honours.
[Footnote 247: The Poème has been published in four parts: I. De la naissance au mariage ("From Birth to Marriage"); II. La Cité ("The City"); III. De l'age viril jusqu'
Chaque ligne, chaque vers, chaque poème taillé en bloc, sans couleur, sans decor, sans rime."... "La sainte pauvresse du style dépouillé."... "Il faut de la dureté, toujours de la dureté." He thought of Réveillaud's criticism, and his sudden startled spurt of admiration: "Mais! Vous l'avez trouvée, la beauté de la ligne droite." And Réveillaud's question: "Vraiment?
I have only recently discovered that Ysaye my life-long friend has written some wonderful original compositions: a Poème élégiaque, a Chant d'hiver, an Extase and a ms. trio for two violins and alto that is marvelous.
When Ben Jonson writes in his Timber "For the Fable and Fiction is, as it were, the forme and Soule of any Poeticall worke or Poeme" the change had come. Jonson, like Sidney, was steeped in classical criticism as interpreted and spread abroad by the sixteenth-century critics of the continent. But while Sidney made a place for allegory in his scheme of poetry, Jonson does not so much as mention it.
"Quoique la celebre Marie eut, au XIIIe siecle, donne une assez ample histoire du Purgatoire de St.-Patrice, puisqu'elle est de plus de trois mille vers, deux autres Trouveres anglo-normands qui probablement ne connaissaient pas son poeme, volurent dans le siecle suivant traiter le meme sujet." Caen, 1834. t. iii., p. 245.
The last was Les Dieux dechus, poeme en 20 chants, par Mme. la D d'I. Guard yourself well from this Muse! If she takes a fancy to you she will never leave you alone. If you see her often, she will fancy you are in love with her, and tell her husband. She always tells my uncle afterwards after she has quarrelled with you and grown tired of you!
For the Fable and Fiction is, as it were, the form and Soule of any Poeticall worke or Poeme. So convinced was Jonson that the essence of poetry does not lie in verse but in fiction that Drummond reports, "he thought not Bartas a Poet, but a Verser, because he wrote not fiction." Jonson was misled by the false analogy of poetry and painting.
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