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Ah, I remember a different state of things! Credite posteri. To see these nymphs gracious powers, how beautiful they were! That leering, painted, shrivelled, thin-armed, thick-ankled old thing, cutting dreary capers, coming thumping down on her board out of time that an opera-dancer? Pooh!
These monumental remains are not, as thou mayest suppose, the Ruins of Time, But were destroyed in an Irruption of the Goths So late in the Christian era as 1789. Credite Posteri!
The last time I saw a ballet at the opera oh! it is many years ago I fell asleep in the stalls, wagging my head in insane dreams, and I hope affording amusement to the company, while the feet of five hundred nymphs were cutting flicflacs on the stage at a few paces' distance. Ah, I remember a different state of things! Credite posteri. To see those nymphs gracious powers, how beautiful they were!
Sic instituere majores, posteri imitantur; hi lusus infantium, haec juvenum aemulatio, perseverant senes inter familiam et penates et jura successionum equi traduntur; excipit filius, non, ut cetera, maximus natu, sed prout ferox bello et melior.
Seneca long ago made the right criticism. Hoc maiores nostri questi sunt, hoc nos querimur, hoc posteri nostri querentur, eversos esse mores.... At ista stant loco eodem. Ristelhuber, 2 vols., 1879. But if we are to judge by past experience, does it not follow that this modern age must go the same way as the great ages of the past which it rivals or even surpasses?
XLIV. Natus erat Agricola, Caio Caesare tertium consule, Idibus Juniis: excessit sexto et quinquagesimo anno, decimo Kalendas Septembris, Collega Priscoque consulibus. Quod si habitum quoque ejus posteri noscere velint, decentior quam sublimior fuit; nihil metus in vultu, gratia oris supererat bonum virum facile crederes, magnum libenter.
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