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His success is attested by the praise of Washington's adopted son, who declared the Sharples portraits to be "the truest likenesses ever made," and by Ralph Waldo Emerson, who saw the pictures later in England and wrote: "I would willingly have crossed the Atlantic, if only to look on these portraits."

The portrait doubled and quadrupled itself; all the walls seemed hung with portraits, which fastened their living eyes upon him; portraits glared at him from the ceiling, from the floor; the room widened and lengthened endlessly, in order to make room for more of the motionless eyes.

But such is the influence of habit upon the eye, that we fully apprehend the effect of such incongruity as that of which I spoke only in the costumes of past generations, or when there is a very violent, instead of a gradual change in the fashion of our own day. Look at these full-length portraits of Catherine de Medicis and the Princess Marguerite, daughter of Francis the First. The Ladies.

Several divans, covered with a heavy silken material, the same color as the tapestry, were placed against the sides of the room, and over them hung a few oil paintings in black frames, each representing the figure of a man with a most solemn expression and bearing. The remarkable resemblance which these pictures bore to each other convinced you that they must be the portraits of one family.

The full-length portrait which Vandyck painted of the cardinal is now in Florence; a copy of it is in one of the halls of Harvard College. It is one of the finest among the many splendid portraits by this great master.

Not improbably Duerer may have painted separate portraits of nearly all the members of the German Guild at Venice who appear in the Rose Garlands. In any case much of his work during his stay there has disappeared.

To go back to a still earlier period, the monumental tableaux show portraits of the Pharaohs wearing garments with borders, either woven or embroidered, or done in appliqué work. The most simple patterns consist of one or more stripes of brilliant colour parallel with the edge of the material.

While we waited, I scanned the group-photographs on the walls, some of which contained portraits of German Rhodes Scholars with whom I had been acquainted. I remembered how they had always spent their vacations in England, assiduously bicycling to the most unexpected places. In the light of later developments I thought I knew the reason. Suddenly, far away bands struck up.

I pretend not to judge of the national character, from my own observation: but, if the portraits drawn by Goldoni in his Comedies are taken from nature, I would not hesitate to pronounce the Italian women the most haughty, insolent, capricious, and revengeful females on the face of the earth.

But the delicacy and vividness of his portraits of the great personalities of Hebrew history, and the acuteness of his analysis of national psychology, are not to be denied. The other part of his work is more miscellaneous, but most of it is in some sense philosophical or autobiographical.