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"Not the most gifted man that ever lived, in the practice of any art or science, and paid at the highest rate that exceptional genius could justly demand from those who have worked for their money, could ever earn a million dollars. What artist, what physician, what scientist, what poet was ever a millionaire?" "I can only think of the poet Rogers," said March, amused by Lindau's tirade.

Indeed so very striking was the resemblance between the water and the land, that, however much the geologist might sneer at so simple a theory, it would have been difficult for a poet not to have felt, that the formation of the one had been produced by the subsiding dominion of the other.

When we begin to speak of poetry, the higher qualities of the mind come up for judgment. No genuine poet is without one or more of these, and a great poet must have most of them.

Miscellaneous writer, was descended from a Jewish family which had been settled first in Spain, and afterwards at Venice. Historian and poet, s. of Dr. James D., a well-known Wesleyan minister and historian of Methodism, ed. at King Edward's School, Birmingham, and Oxf., took Anglican orders, was Second Master at Carlisle School, Vicar of Hayton and Warkworth, and Canon of Carlisle.

It would be interesting to know what the particular impressions were, from which this sympathizing friend was anxious to rescue the poet. They were probably the suggestions of a power within, which, in certain seasons of reflection, compelled his attention in spite of his attempts to reason against it, pleading with authority for a present Deity, and a life to come.

Against the most accurate black-and-white artist that human imagination can conceive it is still to be admitted that he draws a black line round a man's nose, and that that line is a lie. And in precisely the same fashion a poet must, by the nature of things, be conventional. Unless he is describing an emotion which others share with him, his labours will be utterly in vain.

'Who can doubt, asks Mr. Forster, 'that he also meant slowness of motion? The first point of the picture is that. The poet is moving slowly, his tardiness of gait measuring the heaviness of heart, the pensive spirit, the melancholy of which it is the outward expression and sign. Forster's Goldsmith, i. 369. See ante, ii. 5. Essay on Man, ii. 2.

Among these eulogiums none is better known than that beautiful allegory of the poet McLaig, who sung that "a young lady of great beauty, adorned with jewels and costly dress, might perform unmolested a journey on foot through the Island, carrying a straight wand, on the top of which might be a ring of great value."

He was thinking at the moment about American society and politics. But he believed that the same law held good in poetry. Once get your great man and let him abandon himself to poetry and the great poetry will be the result. It was almost precisely the same teaching as in Carlyle's lecture on "The Hero as Poet."

Nothing but silence, and the steady approach of madness. Andreev is an unflinching realist, with all the Russian power of the concrete phrase. He would never say, in describing a battle, that the Russians "suffered a severe loss." He would turn a magnifying glass on each man. But, although he is a realist and above all a psychologist, he is also a poet.