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This was Theodore's reply to the last query. The dainty little breakfast room, all in a glow of sunlight, and bright with ivy and geranium, looked like a patch of paradise to Pliny Hastings' splendor-wearied eyes. Winny presided at the table in a crimson dress that young lady was very fond of crimson dresses and fitted very nicely into the clear, crisp, fresh brightness of everything about her.

Pliny tells us in his history that its signs are either imaginary or very uncertain.* One who bears upon her the fourteen signs of corruption may yet be pure in the eyes of the angels, and, on the contrary, another who has been pronounced pure by the matrons who inspected her may know that her good appearance is due to the artifices of a cunning perversity.

Another writer adds "this country produces a species of the vine whose trunk the extended arms of two men cannot embrace, and which yields grapes of a cubit's length." "At this city," says Pliny, "was the palace of Antaeus, and his combat with Hercules and the gardens of Hesperides."

After passing Le Vene, we came to the little temple which Byron describes, and which has been supposed to be the one immortalized by Pliny. It is very small, and stands on a declivity that falls immediately from the road, right upon which rises the pediment of the temple, while the columns of the other front find sufficient height to develop themselves in the lower ground.

Why four paws? why should he not be a monopedous man, a man whose body, terminated by a single leg, cleared, with this support alone, considerable distances? Was not the existence of the monopedous man attested by modern travellers, and even in antiquity and the middle ages, by Pliny and St. Augustine?

His style is often overstrained and unnatural. Under the genial and fostering influence of the Emperor Trajan, the fine arts, especially architecture, flourished, and literature revived. The same taste and execution which are visible in the bas-reliefs on the column of Trajan adorn the literature of his age as illustrated by its two great lights, Tacitus and the younger Pliny.

Yet Gibbon argues against the darkness at the Passion, from the accident that it is not mentioned by Pagan historians:—as well might he argue against the existence of Christianity itself in the first century, because Seneca, Pliny, Plutarch, the Jewish Mishna, and other authorities are silent about it.

"Why, of course a smattering; or how could I read Pliny, and Celsus, and ever so much more rubbish that custom chucks down before the gates of knowledge, and says, 'There before you go the right road, you ought to go the wrong; it is usual. Study now, with the reverence they don't deserve, the non-observers of antiquity."

His nephew, Pliny the younger, then only a boy of eighteen, has given a lucid account of what took place, in letters to the historian Tacitus. After describing the journey and death of his uncle, he goes on to speak of the violent earthquakes that shook the ground during the night.

"What an abstemious young gentleman!" simpered Miss De Witt, as for the fourth time Pliny briefly and rather savagely declined the officious waiter's offer of wine custard. "Don't you eat any of these frivolous and demoralizing articles? Mrs. Hastings, is your son one of the new-lights? I have really been amused to see how persistently he declines all the tempting articles of peculiar flavor.