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For how is the student to learn, except by copying his master's models? Is the young painter or sculptor a plagiarist because he spends the first, often the best, years of his life in copying Greek statues; or the schoolboy, for toiling at the reproduction of Latin metres and images, in what are honestly and fittingly called "copies" of verses. And what if the young artist shall choose, as Mr.
The Antaean treatment is needful for terrestrials, unless they would dwindle. The diviner the power in any artist-soul, the more distinctly is he commanded to get near the divine without him. Fancies pale, that are not fed on facts. It is very easy for any man to be a plagiarist from himself, and present his own reminiscences half disguised, instead of new discoveries.
"You do me great honour, learned sir," said Dridrano. "Surely it would be very unbecoming, in one of my age and standing, to set up a theory in opposition to yours, but it would be yet more discreditable to be a plagiarist; and, with all due respect for your superior wisdom, it does seem to my feeble intellect, that no two theories can be more different.
This is perhaps unmistakably a blow at Shakespeare, who had recently acquired for his father and himself arms, and the pleasure of writing himself "gentleman." This "parcel-poet gent'man" "pens lofty, in a new stalking style," he is thus an author, he "pens," and in a high style. He is called Pantalabus, from the Greek words for "to TAKE UP ALL," which means that, as poet, he is a plagiarist.
He who borrows only from heterogeneous works is not a plagiarist. All fiction, worth a button, is founded on facts; and it does not matter one straw whether the facts are taken from personal experience, hearsay, or printed books; only those books must not be works of fiction. Ask your common sense why a man writes better fiction at forty than he can at twenty.
This would be a great obligation to stand under to some unknown author, and in that case it is astonishing that his enemies did not reproach him during his lifetime with being merely an imitator and a plagiarist. So there are reasons for and against his authorship of it, and it would be dangerous to make too bold an assertion.
Far from secretly pilfering, like the modern plagiarist, it was their great boast that they themselves had not suggested the great thought or struck out the brilliant metaphor, but that it had been done by some one of old, and was found in its legitimate place a book.
To imitate is not to plagiarize; and Shelley cannot reasonably be called a plagiarist because he introduced into Adonais passages which are paraphrased or even translated from Bion and Moschus. It does seem singular however that neither in the Adonais volume nor in any of his numerous written remarks upon the poem does Shelley ever once refer to this state of the facts.
Molière took two whole scenes from the ridiculous comedy of the "Pédant Joué" by Cyrano de Bergerac. "These two scenes are good," he said as he was jesting with his friends. "They belong to me by right: I recover my property." After that anyone who treated the author of "Tartufe" and "Le Misanthrope" as a plagiarist would have been very badly received.
Malham-Dembleby maintains that M. Héger made indiscreet revelations to Eugène Sue, but that Eugène Sue was an unscrupulous plagiarist who took his own where he found it, either in the pages of Jane Eyre or in the tittle-tattle of a Brussels salon. However indiscreet M. Héger may have been, he was a man of proved gravity and honour. He would, at any rate, have drawn the line at frivolous treachery.
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