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Every door and window has its separate ornaments, its moulding, frize, cornice, and tympanum; then there is such an assemblage of useless festoons, pillars, pilasters, with their architraves, entablatures, and I know not what, that nothing great or uniform remains to fill the view; and we in vain look for that simplicity of grandeur, those large masses of light and shadow, and the inexpressible EUSUINOPTON, which characterise the edifices of the antients.
The arches springing from them would be about 14ft. wide. I have not been able to find any fragments of the archivolt. The pilasters that supported the arches which crossed the schola have bases similar to the larger pilasters.
Down the length of it runs a wide green, shaded by spreading trees, and on either side, tree-shaded, too, and each in its own little plot, gabled houses of that simple, graceful architecture of our forefathers. Some of these had fluted pilasters and cornices, the envy of many a modern architect, and fan-shaped windows in dormer and doorway.
The west door has two Ionic columns on each side; a curious niche with corbelled sides rises above it to the lower cornice; and the church is lit by a square-headed window pierced through the upper part of each bay. Only the pilasters, cornices, door and window dressings are of granite ashlar, all the rest being of rubble plastered and whitewashed.
Some of the most characteristic marks of the style are the straight tapering legs of the furniture, usually fluted, with some carving. Fluted columns and pilasters often had metal quills filling them for a part of the distance at top and bottom, leaving a plain channel between. The laurel leaf was used in wreath form, and bell flowers were used on the legs of furniture.
This opening is divided into nine spaces; for from the cornices over the pilasters spring certain arches with cornices, which traverse the highest part of the vault, and join the cornice on the opposite side of the chapel, leaving from arch to arch nine openings, large and small.
Paul's Protestant Episcopal Church, South Third and Walnut streets, was designed by William Strickland and built some years later than St. Peter's. The exterior remains the same, but the interior has been considerably altered. It is a simple gable-roof structure of plastered rubble masonry, and its façade with broad pilasters, handsome round-topped windows and simple doorway is heavily vine-clad.
As we approached it, I was struck by architectural details even more at variance with the surroundings than was the general style of the building: all its exterior decoration presenting the features of a pavilion from the old Tuileries at Paris; and in the garden hard by we found battered and blackened fragments of pilasters, shown by the emblems and ciphers upon them to have come from that part of the Tuileries once inhabited by Napoleon.
Fluted pilasters, worked from the solid stone, decorated its front, and above the roof the chimneys were panelled or columnar, some coped gables with finials and like features still retaining traces of their Gothic extraction.
It was enough for him to create a wholly novel framework for the modern miracle of sculpture it enshrines, attending to such rules of composition as determine light and shade, and seeking by the relief of mouldings and pilasters to enhance the terrible and massive forms that brood above the Medicean tombs.