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It was enough for him to create a wholly novel framework for the modern miracle of sculpture it enshrines, attending to such rules of composition as determine light and shade, and seeking by the slightness of mouldings and pilasters to enhance the terrible and massive forms that brood above the Medicean tombs.

The walls, of unpainted aethereum, were broken up into panels by fluted pilasters with richly-moulded capitals, each panel having a frosted border covered with delicate tracery, whilst the central portion of the panel was left plain and polished, serving the purpose of a mirror, in which the room and its multiplied reflections on the opposite wall was again reflected in a long perspective.

There is nothing to which the most captious critic could object in the treatment adopted here; the pilasters and other features have plain moulded members, and there is no principle of design in cast work which has been violated the only question being the purely aesthetic one is it justifiable to copy features in cast iron which have generally been constructed in stone or marble?

Therefore it will be well to examine in detail the house which young John Norton of '86 was so fond of declaring he could never see without becoming instantly conscious of a sense of dislike, a hatred that he was fond of describing as a sort of constitutional complaint which he was never quite free from, and which any view of the Rockery, or the pilasters of the French bow-window, or indeed of anything pertaining to Thornby Place, called at once into an active existence.

On each of the pilasters that support the architrave, the cornice, and the arch, there are five scenes, and five on the architrave, making fifteen in all; and in them all he carved in low-relief stories from the Old Testament namely, from the Creation of man by God up to the Deluge and Noah's Ark, thus conferring very great benefit on sculpture, since from the ancients up to that time there had been no one who had wrought anything in low-relief, wherefore that method of working was rather out of mind than out of fashion.

Side by side with the prosy Americanism of the northern wing, sprang gracefully the Moorish columns of the portico; beyond, uprose in massive granite, quaintly inscribed and carved, and strengthened by heavy pilasters, the ponderous Egyptian features of the southern portion.

The outside is very plain: Ionic pilasters at the angles support a simple cornice which runs round the whole building; the west end and transepts have pediments with small semicircular windows. The tile roofs are surmounted by a low square tower crowned by a flat plastered dome at the crossing and by the domed stair turret at the south-east corner. The west door is plain with a simple architrave.

Such a distinctive and pleasing feature did this become that it was widely adapted to brick construction, the outward projection of pilasters and engaged columns, often both, supporting pediments and entablatures which had the effect of increasing the depth of brick walls.

The monument is a sort of Grecian temple, with pilasters and a dome, covering a space of about twenty feet square. It was formerly open to all the inclemencies of the Scotch atmosphere, but is now protected and shut in by large squares of rough glass, each pane being of the size of one whole side of the structure. The woman unlocked the door, and admitted us into the interior.

The porch has an effective vault of black and white marble, and domes with black and white panels cover the spaces under the towers. Inside the church is all built of white marble with panels and pilasters of pink marble from Pero Pinheiro on the road to Cintra. The whole church measures about 200 feet long by 100 wide, with a nave also 100 feet long.