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A blue velvet davenport faced the fireplace, and behind it was a cherrywood table and a tall piano-lamp with a shade of golden silk. On the table was a runner of gold-threaded Chinese fabric, four magazines, a silver box containing cigarette-crumbs, and three "gift-books" large, expensive editions of fairy-tales illustrated by English artists and as yet unread by any Babbitt save Tinka.

Every time, ma, you get to thinking we've got a fight with no one, all you have to do is look at our poor Mannie. He's the answer! He's the answer!" In a foaming sort of silence, Mannie Kantor smiled softly from his chair beneath the pink-and-gold shade of the piano-lamp. The heterogeneous sounds of women weeping had ceased.

The fear of Phil vanished. Intensely conscious though he was of her hair and its individual scent, he did not kiss it. She was sacred. She sprang from him, and at the piano hammered out a rattling waltz. It changed to gentler music, and under the shaded piano-lamp they were silent, happy. He merely touched her hand, when he went, but he sang his way home, wanting to nod to every policeman.

He noted a book, "The Three Black Pennies," by Joseph Hergesheimer. Ah, that was something like it! It would be an adventure story, maybe about counterfeiting detectives sneaking up on the old house at night. He tucked the book under his arm, he clumped down-stairs and solemnly began to read, under the piano-lamp: "A twilight like blue dust sifted into the shallow fold of the thickly wooded hills.

"And look at the towels and the little towel-rack," said Molly. "And the bed and washstand and the pretty blue screen," added Julia. "See the brown chairs and the dear little brown clock. What fun it would be to cut them out, Julia!" "Look at the parlour set," said Julia. "See the piano, and the red sofa and chairs, and the tall piano-lamp with its red shade."

Every time, ma, you get to thinking we've got a fight with no one, all you have to do is look at our poor Mannie. He's the answer. He's the answer." In a foaming sort of silence, Mannie Kantor smiled softly from his chair beneath the pink-and-gold shade of the piano-lamp. The heterogeneous sounds of women weeping had ceased.

The fireplace was unsoftened by downy ashes or by sooty brick; the brass fire-irons were of immaculate polish; and the grenadier andirons were like samples in a shop, desolate, unwanted, lifeless things of commerce. Against the wall was a piano, with another piano-lamp, but no one used it save Tinka.

To the left in the angle of the room stood the Japanese screen in black and gold, and close to this a tea-table of bamboo and a piano-lamp with a great shade of crinkly red paper that Turner Ravis had given to Vandover one Christmas.