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The newspapers had been hot after him, and he knew not how to defend himself. His photograph was implored. He was waylaid by journalists shabby and by journalists spruce, and the resulting interviews made him squirm. He became a man of mark at Pickering's. Photographers entreated him to sit free of charge.

Foster-Dugdale's or elsewhere. Wherever they were invited, there certainly, there punctually, they would be. They were both of them gluttons for the fruits and signs of their success. Interviewers and photographers had as little reason as had hostesses to complain of two men so earnestly and assiduously 'on the make' as Maltby and Braxton.

This evening, therefore, I propose to give first a typical lecture of the course, and secondly, at its conclusion, to say a few words as to our principal object. As the subject for this evening's lecture I have chosen, "The Preparation of Gelatine Plates," as it is probably one of very general interest to photographers.

Whatever member his attention is turned to, the muscles of that part contract involuntarily. Photographers sometimes have to contend with this form of involuntary action on the part of their sitters. When the hands are to be posed the arms stiffen; so also do the legs, the shoulders, and the neck, each when its turn comes to receive attention.

In Japan there are many photographers like our own, with this difference, that they are Japanese, and inhabit Japanese houses. The one we intend to honor to-day carries on his business in the suburbs, in that ancient quarter of big trees and gloomy pagodas where, the other day, I met the pretty little mousme.

Add to this army of writers another army of photographers and war-artists and cinematograph-operators and you will have some idea of the problem with which the military authorities of the warring nations were confronted. It finally got down to the question of which should be permitted to remain in the field the war correspondents or the soldiers. There wasn't room for them both.

His passion in this direction was well known in Washurst, where the students had borrowed a phrase from the photographers in order to describe him fully in a nickname. They called him " Look-pleasant Tounley." This did not in any way antagonise his perfect willingness to fight on occasions with a singular desperation, which usually has a small stool in every mind where good nature has a throne.

"O.K., Doc, light up your rag and then let's see you drop it in that pie plate." While TV cameras hummed and dozens of still photographers pointed telescopic lenses and prayed for enough light, Dr. Peterson ignited the little wad of cloth. He peered behind to check for obstructions and then, with the wrist-flicking motion of the devoted and expert fisherman, made his cast.

Let photographers and daguerreotypers do what they will, and improve as they may with further skill on that which skill has already done, they will never achieve a portrait of the human face divine.

And one day in the midst of the Opening, a prairie fire broke out, sweeping at forty miles an hour over the land the people had come to claim, sweeping straight toward Dallas. The whole town turned out to fight it it had to. The Indians pitched in to help. And the tenderfeet, including reporters and photographers from the big city newspapers, turned fire fighters, fighting to save the town.