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But even an artist such as Phidias expressly stated that it was the Zeus of Homer who inspired his greatest work, quoting the well-known passage in the Iliad in which the god grants the prayer of Thetis: "He said; and his black eyebrows bent; above his deathless head Th' ambrosian curls flowed; great heaven shook."

The three greatest architects hitherto known in the world were Phidias, Giotto, and Michael Angelo; with all of whom, architecture was only their play, sculpture and painting their work. All great works of architecture in existence are either the work of single sculptors or painters, or of societies of sculptors and painters, acting collectively for a series of years.

With some degree of embarrassment, Pandaenus answered, "I came to ask your protection; and that Eudora might for the present consider her as a sister, until I can restore her to her family." "It shall be so," replied Artaphernes; "but this is a very small part of the debt I owe the nephew of Phidias.

The analogies which the undisturbed development of the fine arts among the Greeks everywhere furnishes, will enable us, throughout to compare the epochs of tragic art with those of sculpture. Aeschylus is the Phidias of Tragedy, Sophocles her Polycletus, and Euripides her Lysippus.

Many hundred years ago there were still some famous painters, such as those named Phidias, Praxiteles, Apelles, Polycleitus, Parrhasius, Lysippus, Protogenes, and the rest, some of whom wrote about their art and very artfully described it and gave it plainly to light: but their praise-worthy books are, so far, unknown to us, and perhaps have been altogether lost by war, driving forth of the peoples, and alterations of laws and beliefs a loss much to be regretted by every wise man.

He made no epigram on Homer or Phidias, but he had his children introduced into the realms of intellect.

For it is not merely the art of Phidias, of Sophocles, that springs from the energy aroused by the Persian invasions; the energy which finds expression in the Empire of Athens is to be traced thither, empire and art arising from the same exaltation of the State and of the individual.

Not in education, for our schools produce no such thinkers or universal scholars as Plato and his teacher; not in eloquence, for our orators still ponder the periods of the oration "On the Crown;" not in sculpture or architecture, for the broken fragments of Phidias are still models for our youth.

"Thus flocked to Athens all who throughout Greece were eminent in art. Sculptors and architects vied with one another in adorning the young empress of the seas: then rose the masterpieces of Phidias, of Callic'rates, of Mnesicles, which, either in their broken remains, or in the feeble copies of imitators less inspired, still command so intense a wonder, and furnish models so immortal.

"Having mentioned the figure on Monte Cavallo, representing, as you all know, a young man curbing a horse, I cannot help stopping to remark, that if any work of sculpture ever demonstrated more strongly the value of uniting philosophic science with that of art, for the production of character, it is that work by Phidias.