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But I pray you make me clear of one thing; how knew you that I was here? Whereto she made answer, 'A poor woman, who much frequenteth me, gave me this morning to know of thy coming, for that, as she telleth me, she abode long with our father both at Palermo and at Perugia; and but that meseemed it was a more reputable thing that thou shouldst visit me in my own house than I thee in that of another, I had come to thee this great while agone. After this, she proceeded to enquire more particularly of all his kinsfolk by name, and he answered her of all, giving the more credence, by reason of this, to that which it the less behoved him to believe.
It is written that he was "the only very distinguished man of whom we read, who lived and died without an enemy or detractor!" No better can ever be said of any one. While he dwelt in Perugia and Urbino he had painted the "Ansidei Madonna," so called because that was the name of the family for which it was painted.
Both lives had been lived too fast: from that day Perugia fell into a torpor, as Perugino, the glass of his time and place, also fell. Perugino, we know, had his doubts concerning the immortality of the soul, but painted on his beautiful cloister-dreams, and knocked down his saints to the highest bidder.
One evening a swarm of poor people with candles in their hands appeared to a dishonest guardian of the poor at Perugia, and danced round about him; a great figure spoke in threatening tones on their behalf, it was St. Alo, the patron saint of the poorhouse. These modes of belief were so much a matter of course that the poets could make use of them as something which every reader would understand.
Perugia appeared above us, crowning a mighty hill, the most picturesque of cities; and the higher we ascended, the more the view opened before us, as we looked back on the course that we had traversed, and saw the wide valley, sweeping down and spreading out, bounded afar by mountains, and sleeping in sun and shadow. No language nor any art of the pencil can give an idea of the scene.
Now Agostino, pursuing the art after the death of Luca, made the façade of S. Bernardino in Perugia in the year 1461, with three scenes in low-relief therein and four figures in the round, executed very well and with a delicate manner; and on this work he put his name in these words, AUGUSTINI FLORENTINI LAPICIDÆ.
"Learn, sir," he announced, "that I am Captain Ercole Fortemani. I held that rank in the army of the Pope. I have served the Pisans and the noble Baglioni of Perugia with honour and distinction. I have commanded a hundred lances of Gianinoni's famous free-company.
Brother Leo, the companion and confessor of St. Francis, who was at Perugia, and who assisted at all the conferences, says, that they spoke much on the propagation of the faith and the salvation of souls; that, having made reciprocal inquiries into the peculiarities of their respective orders, Dominic proposed to Francis to unite them, and make but one order, in order that the difference of the Institute should not divide those whom the intimate friendship of their fathers had closely united.
Having then departed from Rome, I know not why, he placed himself in Perugia with a master stone-cutter, who at the end of a year left him in charge of all his works.
At any rate Lippi and Botticelli, to those who know them, are expressive of the Florentine temper when Pulci and Politian are distorted echoes of another; Perugino leads us into the recesses of Perugia while Graziani keeps us fumbling at the lock. And Perugino's languorous boys and maids are the figments of a riotous erotic, of a sensuous fancy without imagination or intelligence or humour.
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