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Jeanne had escaped, but the baron returned and, almost as enraged as the priest, suddenly seized the abbé by the throat, and giving him a blow which knocked his hat off, carried him to the fence and threw him out into the road. When he turned round, M. le Perthuis saw his daughter kneeling in the midst of the pups, sobbing as she picked them up and put them in her skirt.

Then she marked with a pencil the first four columns, drawing a line through the name of each saint up to the 2d of May, the day that she left the convent. A voice outside the door called "Jeannette." Jeanne replied, "Come in, papa." And her father entered. Baron Simon-Jacques Le Perthuis des Vauds was a gentleman of the last century, eccentric and good.

Comte de Perthuis, the adjutant of King Louis Philippe, who had heard Chopin and Moscheles repeatedly play the latter's Sonata in E flat major for four hands, spoke so much and so enthusiastically about it at Court that the royal family, wishing "to have also the great treat," invited the two artists to come to St. Cloud. The day after this soiree Moscheles wrote in his diary:

The old family coach had been given up to his son-in-law by the baron, and nothing would have induced him to show himself at the neighboring chateaux if the coat-of-arms of the De Lamares were not quartered with those of the Le Perthuis des Vauds.

The Baron Simon-Jecques Le Perthuis des Vauds was a gentleman of the old school, eccentric and good-hearted. An enthusiastic follower of Jean-Jacques Rousseau, he had a loving tenderness for all nature; for the fields, the woods, and for animals.

Op. 17, four Mazurkas, May 4, dedicated to Madame Lina Freppa; op. 24, four Mazurkas, November, 1835, dedicated to Comte de Perthuis; op. 30, four Mazurkas, December, 1837, dedicated to Princesse Czartoryska; op. 33, four Mazurkas, October, 1838, dedicated to Comtesse Mostowska; op. 41, four Mazurkas, December, 1840, dedicated to E. Witwicki; op. 50, three Mazurkas, November, 1841, dedicated to Leon Szmitkowski; op. 56, three Mazurkas, August, 1844, dedicated to Mile.

François Dauphine de la Forêt, Nicholas Perrot, and Henri de Tonty, the lieutenants of La Salle, Alphonse de Tonty, Antoine de La Mothe-Cadillac, Greysolon Du Lhut and his brother Greysolon de la Tourette, Pierre Esprit Radisson and Médard Chouart de Groseilliers, Olivier Morel de la Durantaye, Jean-Paul Le Gardeur de Repentigny, Louis de la Porte de Louvigny, Louis and Juchereau Joliet, Pierre LeSueur, Boucher de la Perrière, Jean Peré, Pierre Jobin, Denis Massé, Nicholas d'Ailleboust de Mantet, François Perthuis, Etienne Brulé, Charles Juchereau de St.

Yesterday was a memorable day...at nine o'clock Chopin and I, with Perthuis and his amiable wife, who had called for us, drove out to St. Cloud in the heaviest showers of rain, and felt so much the more comfortable when we entered the brilliant, well-lighted palace. We passed through many state- rooms into a salon carre, where the royal family was assembled en petit comite.

It was addressed clearly enough to "Madame la baronne Le Perthuis des Vauds." She opened the next: "Come to-night as soon as he has gone out. We shall have at least one hour together. I adore you." A third: "I have passed a night of longing and anguish. I fancied you in my arms, your mouth quivering beneath mine, your eyes looking into my eyes.

The trio is reserved and hypnotic. The last movement, with its brilliancy and force, is a favorite, but it lacks weight, and the entire sonata is, as Niecks writes, "affiliated, but not cognate." It was published June, 1845, and is dedicated to Comtesse E. de Perthuis.