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France, too, was not behindhand, but there the development of the art soon deserved the name a new school of opera, distinct in many important particulars from its parent in Italy. The French nobles who saw the performance of Peri's 'Euridice' at the marriage of Henry IV. may have carried back tales of its splendour and beauty to their own country, but Paris was not as yet ripe for opera.
And that lad, wondering at his escape, showed his appreciation by presenting Periwinkle a horse-hair chain the next day which was accepted with all the graciousness of Peri's sweet nature. The teacher, observant as ever, and wondering too, blessed Myra's "dreadful" children in her heart.
However, such considerations did not long afflict him for we know that lookers-on see more than players and if Roger had encouraged half our wise and sober thoughts, he might have been a better man: but Roger quelled the thoughts, and silenced them; and thoughts are tender intonations, shy little buzzing sounds, soon scared by coarser noise: Roger had no mind to cherish those small fowls; so they flew back again to Heaven's gate, homeless and uncomforted as weeping peri's.
The name of a monkey in Egypt was Kaff, or Kafi, in Hebrew Koff, in Sanskrit Kapi. Hanuman has a decided family likeness to the Egyptian Cynocephalus, and the emblem of Osiris and Shiva is the same. Qui vivra verra! Our return journey was very agreeable. We had adapted ourselves to Peri's movements and felt ourselves first-rate jockeys. But for a whole week afterwards we could hardly walk.
Periwinkle had never known his grandfather Maise, but he nevertheless held the old gentleman in high esteem. Therefore when Washington Grey called that relative "a mean old fellow," Peri's fist darted out with amazing rapidity but was just as quickly withheld before it reached Washington's eye.
In vain we tried to persuade him that the "proud Airavati" did not show the slightest disposition to be so cruel, in vain we pointed out to him that all this time both elephants stood quietly together, Airavati even at this critical moment rubbing his trunk affectionately against Peri's neck, and Peri not looking in the least discomfited by the accident to her tail. All this was of no avail!
"No, thank you. I'm looking for " But retreat was impossible, for many were crowding up in eager curiosity; moreover, a muslin bandage descended-on her eyes. "Don't!" she expostulated; "I'm not at play I'm " but her words were lost. "Hush! the Peri's cave is near, No one enters scatheless here; Lightly tread and lowly bend, Win the Peri for your friend,"
But it is best to regard these privately performed works merely as experiments, and to date the actual foundation of opera from the year 1600, when a public performance of Peri's 'Euridice' was given at Florence in honour of the marriage of Maria de' Medici and Henry IV. of France.
With the production of 'Euridice' the history of opera may be said to begin; but if the new art-form had depended only upon the efforts of Peri and his friends, it must soon have languished and died. With all their enthusiasm, the little band of Florentines had too slight an acquaintance with the science of music to give proper effect to the ideas which they originated. Peri built the ship, but it was reserved for the genius of Claudio Monteverde to launch it upon a wider ocean than his predecessor could have dreamed of. Monteverde had been trained in the polyphonic school of Palestrina, but his genius had never acquiesced in the rules and restrictions in which the older masters delighted. He was a poor contrapuntist, and his madrigals are chiefly interesting as a proof of how ill the novel harmonies of which he was the discoverer accorded with the severe purity of the older school But in the new art he found the field his genius required. What had been weakness and license in the madrigal became strength and beauty in the opera. The new wine was put into new bottles, and both were preserved. Monteverde produced his 'Arianna' in 1607, and his 'Orfeo' in 1608, and with these two works started opera upon the path of development which was to culminate in the works of Wagner. 'Arianna, which, according to Marco da Gagliano, himself a rival composer of high ability, 'visibly moved all the theatre to tears, is lost to us save for a few quotations; but 'Orfeo' is in existence, and has recently been reprinted in Germany. A glance at the score shows what a gulf separates this work from Peri's treatment of the same story. Monteverde, with his orchestra of thirty-nine instruments brass, wood, and strings complete his rich and brilliant harmonies, sounding so strangely beautiful to ears accustomed only to the severity of the polyphonic school, and his delicious and affecting melodies, sometimes rising almost to the dignity of an aria, must have seemed something more than human to the eager Venetians as they listened for the first time to music as rich in colour as the gleaming marbles of the C
The stand was so crowded with them that, walking at their feet and seeing no possibility of approach, many a man appreciated as he never did before the Peri's feeling at the Gates of Paradise, and wondered what was the priceless boon that would admit him to their sacred presence.
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