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When Francis I. was captured at the battle of Pavia, his sister immediately sought consolation in devotion, the nature of which is well illustrated in a letter to the captive king: "Monseigneur, the further they remove you from us, the greater becomes my firm hope of your deliverance and speedy return, for the hour when men's minds are most troubled is the hour when God achieves His masterstroke ... and if He now gives you, on one hand, a share in the pains which He has borne for you, and, on the other hand, the grace to bear them patiently, I entreat you, Monseigneur, to believe unfalteringly that it is only to try how much you love Him and to give you leisure to think how much He loves you.

But while France was thus adding to her glory in the New World, her arms received a severe check in the Old. When Verrazani returned in 1525, he found the nation mourning the disastrous results of the battle of Pavia, and too much absorbed by grave interests at home, to be disposed to concern itself about lesser ones abroad.

The room was square and very large, and the wall below the vault was hung with very beautiful tapestries representing the battle of Pavia, the surrender of Francis the First, and a sort of apotheosis of the Emperor Charles, the father of Don John.

The alliance between England and France, which followed the disaster to Francis I at Pavia, seriously weakened the supporters of French influence in Scotland, and Angus made a three years' truce in 1525. In the next year, Arran transferred his support to Angus, who held the reins of power till the summer of 1528.

The defeat at Pavia and the captivity of Francis I. at Madrid placed the governing power for thirteen months in the hands of the most powerful foes of the Reformation, the regent Louise of Savoy and the chancellor Duprat. They used it unsparingly, with the harsh indifference of politicians who will have, at any price, peace within their dominions and submission to authority.

Becichemus, rector of the Academy of Pavia in the sixteenth century, in his introduction to the work of Ferreri, wrote of the hymns: "sunt omnes fere mendosi, inepti, barbarie refecti, nulla pedum ratione nullo syllabarum mensu compositi.... Ut ad risum eruditos concinent, et ad contemptum ecclesiastici ritus vel literatos sacerdotes inducant.... Literatos dixi: nam ceteri qui sunt sacri patrimonii helluones, sine scientia, sine sapientia, satis habent, ut dracones stare juxta arcam Domini."

Death of Filippo Visconti, duke of Milan The Milanese appoint Sforza their captain Milan becomes a republic The pope endeavors to restore peace to Italy The Venetians oppose this design Alfonso attacks the Florentines The neighborhood of Piombino becomes the principal theater of war Scarcity in the Florentine camp Disorders occur in the Neapolitan and Florentine armies Alfonso sues for peace and is compelled to retreat Pavia surrenders to the count Displeasure of the Milanese The count besieges Caravaggio The Venetians endeavor to relieve the place They are routed by the count before Caravaggio.

Among her portraits are those of Isabel de Braganza, Washington, Mme. de Montespan, Mme. Dubarry, Queen Margaret of Austria, and Don Carlos, son of Philip II. Her other works include a "Magdalen in the Desert," "Laura and Petrarch," "Joseph with the Christ-Child," "Francis I. at the Battle of Pavia," and many good copies after celebrated painters.

Francis I, his great nephew, succeeded him and was considered the beau idéal of chivalry; he had been conspicuous for his accomplishments whilst Duke de Valois, although only twenty-one when he ascended the throne, upon which he was no sooner installed than compelled to quit his capital to oppose the enemies of France, leaving the management of the state to his mother Louisa of Savoy, who was not destitute of talent, but vain and intriguing, Francis, after performing prodigies of valour, and killing many foes with his own hand at the battle of Pavia, was taken prisoner and conveyed to Madrid.

There was no society in Venice corresponding with the polished circles of Milan or Naples, or with the academic class in such University towns as Padua and Pavia.