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Concordia parvae res crescunt from the Iugurtha; and idem velle, idem nolle, ea demum firma amicitia est, from the Catiline, are instances familiar to all. The prose of Sallust differs from that of Cicero in being less rhythmical; the hexametrical ending which the orator rightly rejects, is in him not infrequent. It is probably a concession to Greek habit.
In the hero of that novel people saw a portrait of the leader of the group, the Hon. George Percy Sydney Smythe, to whom also the poems now before us, parvus non parvae pignus amicitiae, were dedicated in a warm inscription.
My other authority is John Rous, the antiquary of Warwickshire, who saw Richard at Warwick in the interval of his two coronations, and who describes him thus: "Parvae staturae erat, curtam habens faciem, inaequales humeros, dexter superior, sinisterque inferior." What feature in this portrait gives any idea of a monster?
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