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Duffan skipped a good deal of criticism, and Tom got back to his "Ah! che la morte ognora" much quicker than the column of printed matter warranted. "Well, Kitty child, what do you want?" "See here." "Tickets for Booth's?" "Parquette seats, middle aisle; I know them. Jack always does get just about the same numbers." "Jack? You don't mean to say that Jack Warner sent them?"
It was Friday, at the opera. The curtain had fallen on Faust's laboratory. From the orchestra, opera-glasses were raised in a surveying of the gold and purple theatre. The sombre drapery of the boxes framed the dazzling heads and bare shoulders of women. The amphitheatre bent above the parquette its garland of diamonds, hair, gauze, and satin.
The papers published lists with the name of Martin-Belleme for the treasury, and the opera-glasses were turned toward the still empty box of the Countess Martin. A murmur of voices filled the hall. In the third rank of the parquette, General Lariviere, standing at his place, was talking with General de La Briche. "I will do as you do, my old comrade, I will go and plant cabbages in Touraine."
Cautiously the red curtain moves aside apace, and the dark languishing eyes of a female, scanning over the dress-circle, are revealed. She recognizes the venerable figure of Judge Sleepyhorn, who has made a companion of George Mullholland, and sits at his side in the parquette. Timidly she closes the curtain.
I thought they never did any thing but wear magnificent crowns and red velvet dressing-gowns with dabs of wool sewed on them in spots, and sit on thrones and scowl at the flunkies and the people in the parquette, and order Dukes and Duchesses off to execution.
I thought they never did any thing but wear magnificent crowns and red velvet dressing-gowns with dabs of wool sewed on them in spots, and sit on thrones and scowl at the flunkies and the people in the parquette, and order Dukes and Duchesses off to execution.
It is a capacious structure, but extremely plain and unimpressive in its exterior appearance. It has five tiers of boxes and a spacious parquette, the latter furnished with separate arm-chair seats for six hundred persons. The entire seating capacity of the house is a trifle over three thousand, and the auditorium is of the horseshoe shape.
At length the time arrived for the opera to begin, and, although the queen had not come, the director of the orchestra did not venture to detain the audience even for a few minutes. He went to his place, took his baton, and gave the sign. The overture began, and all was silent, in parquette and parterre, as well as in the boxes.
It is an odd sight to see a jovial old Mormon file down the parquette aisle with ten or twenty robust wives at his heels. Yet this spectacle may be witnessed every night the theatre is opened. The dress circle is chiefly occupied by the officers from Camp Douglas and the Gentile Merchants. The upper circles are filled by the private soldiers and Mormon boys.
She sees the eager delight of the meeting; she hears the ardent vow; she feels the rapture of the embrace. With placid interest she watches all she, and the sedate husband by her side. And yet when her eyes wander it is to see a man in the parquette below her on the other side, who, between the acts, rises with the rest and surveys the house, and looks at her as at all the others.
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