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The next important figure on the list was the Countess Babette de Keglevics, afterward Princess Odeschalchi, to whom Beethoven showed his feelings in the shape of the Sonata, Opus 7. The Baroness Ertmann he addressed as "Liebe, werthe, Dorothea Cecilia," while the Countess Erdödy received the still warmer greeting of "Liebe, liebe, liebe, liebe Gräfin."
Having performed these articles, he declared himself a candidate, and was publicly espoused by the Imperialists. The duke of Lorraine, the prince of Baden, and don Livio Odeschalchi, nephew to pope Innocent, were likewise competitors; but finding their interest insufficient, they united their influence with that of the elector, who was proclaimed king of Poland.
Crowest spins a pretty yarn of Beethoven's acting as "postillon d'amour" by carrying love letters for a clandestinely loving couple. Many of his own love-longings were couched in the form of the dedications prefixed to his compositions. The piano sonata, Op. 7, was inscribed to the Countess Babette von Keglevics, later the Princess Odeschalchi, and is called for her sake "der Verliebte."
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