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M. Royer informed me that he could not 'pass' the translation which I had taken infinite pains to conjure into existence through the two men who had volunteered to help me. He most earnestly recommended a thorough revision by M. Charles Truinet, whose pseudonym was Nuitter. This man was still young and extraordinarily attractive, with something friendly and open in his manner.
One day Nuitter, the archivist at the Opéra, learned of an important sale of manuscripts in Berlin. He attended the sale and brought back a lot of Meyerbeer's rough drafts which included studies for a Faust that the author never finished. These fragments give no idea what the piece would have been. We see Faust and Mephistopheles walking in Hell.
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