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He is, at best, a poor plagiarist; all he can do is to follow slavishly the lead given him by Cervantes; his only humour lies in making Don Quixote take inns for castles and fancy himself some legendary or historical personage, and Sancho mistake words, invert proverbs, and display his gluttony; all through he shows a proclivity to coarseness and dirt, and he has contrived to introduce two tales filthier than anything by the sixteenth century novellieri and without their sprightliness.
And these novelle became, as is generally known, common in English translations after the middle of the sixteenth century. Painter's huge Palace of Pleasure is only the largest and best known of many translations, single and collected, of the Italian novellieri and the French tale-tellers, contemporary, or of times more or less earlier.
I owe a good deal also, with regard to this same essay "The Outdoor Poetry," to Roskoff's famous "Geschichte des Teufels," and to Signor Novati's recently published "Carmina Medii Ævi." The Italian novellieri, Bandello, Cinthio, and their set, I have used in the Florentine editions of 1820 or 1825; Masuccio edited by De Sanctis.
Without making any pretence at covering the whole field of the novellieri, I may instance a tale of Giraldi's, not lacking in the homely charm which belongs to that author, of a child exposed in a wood and brought up by the shepherds.
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