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And besides, my dear Ernest, when a man reaches the age of forty, or becomes a Royal Academician, or is elected a member of the Athenaeum Club, or is recognised as a popular novelist, whose books are in great demand at suburban railway stations, one may have the amusement of exposing him, but one cannot have the pleasure of reforming him.

=The Independence of Created Characters.= The careless reader of fiction usually supposes that, since the novelist invents his characters and incidents, he can order them always to suit his own desires: but any honest artist will tell you that his characters often grow intractable and stubbornly refuse at certain points to accept the incidents which he has foreordained for them, and that at other times they take matters into their own hands and run away with the story.

Novelist and balladist, appears to have worked as a silk-weaver in Norwich, but was in London by 1586, and in the course of the next 10 years is known to have written about 50 ballads, some of which involved him in trouble, and caused him to lie perdue for a time. It is only recently that his more important work as a novelist, in which he ranks with Greene and Nash, has received attention.

"Well, I can't explain, precisely; but it's something that all the critics say of a book that is very strong, don't you know; and masterful; and relentless; and makes you feel as if somebody had taken you by the throat; and shakes you up awfully; and seems to throw you into the air, and trample you under foot." "Good heavens, my dear!" the Veteran Novelist exclaimed.

What happened then to Vivie? I suppose you expect the time-worn trick of the weary novelist, anxious to put his pen down and go to his tea: "Then she seemed swallowed up in a cloud of blackness and knew no more" till it was convenient to the narrator to begin a fresh chapter. But with me it must be the relentless truth and nothing but the truth, in all its aspects.

They had seen a lot of each other for the few years after both had left Harvard: the hard happy years when Betton had been grinding at his business and Vyse poor devil! trying to write. The novelist recalled his friend's attempts with a smile; then the memory of one small volume came back to him. It was a novel: "The Lifted Lamp." There was stuff in that, certainly.

In many cases these do not represent the discussion of topical subjects at all, but deal with social aberrations, dated only in the illustration by the costume of the time. In these imaginary conversations he is already a novelist.

"You mean that you were afraid of me because I am famous?" he asked doubtfully. "Oh no," she answered, "not because you are famous. I mean I was not afraid of your fame," she smiled. "And now," said the novelist decisively, "you must tell me at once do you read my books?" He waited, as though much depended upon her answer.

The business of the novelist is to create life, and here is life created indeed; the satisfaction of a clean, coherent form is wanting, and it would be well to have it, but that is all. We have a magnificent novel without it.

There is something naive and simple in that time-honoured style of novel-writing by which Prince Prettyman, at the end of his adventures, is put in possession of every worldly prosperity, as he has been endowed with every mental and bodily excellence previously. The novelist thinks that he can do no more for his darling hero than make him a lord.