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I have read the "Aminta," and am deep in "Hell." In German I am reading the second part of "Faust," with scraps from Novalis. English reading is Swedenborg and "Festus" and "Cromwell," with dips into the dramatists. I am sorry such good men have no better reader at this present, but trust they find some somewhere. The weather is vile.
Sterne, and after him Novalis, discovered that gunpowder made all men equally tall, but Athenodorus had found out that pen and ink establish a superiority in spiritual stature. As men of this world, we feel our dignity exalted by his keeping an ambassador from the other waiting till he had finished his paragraph. Never surely did authorship appear to greater advantage.
Novalis or Rückert, for instance, have their eye fixed on nature, and have undoubtedly a feeling for natural magic; a rough-and-ready critic easily credits them and the Germans with the Celtic fineness of tact, the Celtic nearness to nature and her secret; but the question is whether the strokes in the German's picture of nature have ever the indefinable delicacy, charm, and perfection of the Celt's touch in the pieces I just now quoted, or of Shakespeare's touch in his daffodil, Wordsworth's in his cuckoo, Keats's in his Autumn, Obermann's in his mountain birch-tree, or his Easter-daisy among the Swiss farms.
And yet if from him flow time and space, although he cannot be subject to them; if his son could incarnate himself cast the living, responsive, elastic, flowing, evanishing circumstance of a human garment around him; if, as Novalis says, God can become whatever he can create, then may there not be some central home of God, holding relation even to time and space and sense?
He is best known for his numerous poems and his magnus opus, Guido, a novel of 360 pages, written under the pen-name of "Isidorus Orientalis," and intended as a continuation of Novalis' Ofterdingen; he used Tieck's notes for this purpose.
Between him and some whom I have heard is the same difference as between Goethe and Novalis.
Though genius rebels at our moralities, it always submits itself to beauty. Emerson says, "Goethe and Carlyle, and perhaps Novalis, have an undisguised dislike or contempt for common virtue standing on common principles. Meantime they are dear lovers, steadfast maintainers of the pure, ideal morality. But they worship it as the highest beauty, their love is artistic."
But how to find a name for such a book, a name that will tell enough to show the thought and yet not too much to leave it free? I have borrowed a symbol from the old German poet and philosopher, Novalis, to stand instead of a name.
And rested, panting, arm in arm," and the Strauss-walzes sounded pleasantly in the ears of Flemming, who, though he never danced, yet, like Henry of Ofterdingen, in the Romance of Novalis, thought to music. The wheeling waltz set the wheels of his fancy going. And thus the moments glided on, and the footsteps of Time were not heard amid the sound of music and voices.
"I can talk daggers," he had said when younger, and he wrote the greater part of these, though some were contributed by Wilhelm Schlegel, by his admirable wife Caroline, by Schleiermacher, and Novalis. The root of this form lies in French thinking and expression especially the short deliverances of Chamfort, the epigrammatist of the French Revolution.
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