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It was by far more the desire to learn whether he could bend Ninitta to his will than it was passion which carried Fenton forward in the dangerous path upon which he was now well advanced; and it was perhaps more than either a half-unconscious eagerness to taste a new experience.

He had talked to her of the picture he was painting for a national competitive exhibition, it is true, and dwelt upon the difficulty of procuring a proper model; he had met her on the street one day and taken her into his studio to see it; he had regretted that it was impossible to ask her; and of a hundred apparently blameless and trivial things, the result was that this morning, while Helen and Herman were walking across the Common to find her, Ninitta was lying amid a heap of gorgeous stuffs and cushions in Fenton's studio, while he painted and talked after his fashion.

He was too self-analytical to deceive himself into a supposition that he was in love with Ninitta, and even his passion was so much under the dominion of his head that he could have blown it out like a rushlight, had he really desired to be done with it.

During the drive homeward Helen lay back thinking hotly, and flushed with excitement. Ninitta sank into a doze, and Mrs. Fenton sat looking at her friend with the air of one who has discovered in an acquaintance characteristics before wholly unsuspected. She hesitated a little, and then, mastering her shyness, she bent forward and kissed Helen's hand. The other submitted in silence.

Equally, had he said, "Ninitta, I have come to say good-by; you will never see me again," she would have acquiesced without a murmur, and then, perhaps, have taken her own life. As long as it was his simple wish, uninfluenced by the will of another, she would never have questioned. Now, however, all passive acquiescence was at an end.

Mrs. Fenton therefore went herself for the carriage, finding remonstrance in vain to change her companion's decision. During her absence Ninitta awakened, and, while seeming more rational, was less quiet than before. She repulsed her visitor with angry looks and muttered defiance.

He continually tried to discover what process of reasoning led Ninitta to given results, but he was never able to appreciate the fact that often it was by no chain of logic whatever that certain conclusions had been arrived at.

She has given me points for my picture every time she has been at the studio." "Is her name Ninitta?" Grant Herman asked. "Yes; do you know any thing about her?" "I think I've seen her in Rome. But what is she doing on this side of the water?"

He could even feel the incongruity between himself and his work, though this appealed to his sense of humor as the other aroused his anger. Ninitta watched in silence a moment; then she rose from her seat, her wrap falling away from her shoulders. Her tears were done, and a white look of intense feeling showed the despair that she felt.

"Going away?" echoed Fenton, the words arousing again his fears that the worst might have been discovered. "Then Herman does know?" "He only knows that I posed," repeated Ninitta; "but he says Nino would be ashamed, and I am going away." "But where are you going?" "Home; to Capri."