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As one faces the tower, the figure at the left is of Pizarro, who conquered the richest portion of South America for Spain. This figure is heroically decorative, and is by Charles Carey Rumsey. At the other side of the main arch is Charles Niehaus' vigorous statue of Cortez, who won Mexico for Spain.

Among the men whose work is represented in this home of the Appellate Division of the Supreme Court for the City and County of New York are Maitland Armstrong, Karl Bitter, Charles Henry Niehaus, Charles Albert Lopez, Thomas Shields Clarke, George Edwin Bissell, Philip Martiny, Robert Reid, Willard L. Metcalf, Henry Augustus Lukeman, John Donoghue, Henry Kirke Bush Brown, Edward Clark Potter, Henry Siddons Mowbray, Frederick W. Ruckstuhl, Herbert Adams, George Willoughby Maynard, Joseph Lauber, Maximilian M. Schwartzott, and Kenyon Cox.

Heraldic designs related to history of Pacific Coast, by Ryan. Thoroughfare running along wall and lined with palms, Avenue of Palms. Equestrian statue, to right of Tower of Jewels, by Charles Niehaus, "Cortez," conquerer of Mexico. Equestrian statue, to left, by Charles Cary Rumsey, "Pizarro," conqueror of Peru. Fine in action and spirit. Tower of Jewels

Two are in front of the Tower of Jewels, the "Cortez" by Charles Niehaus, and "Pizarro," by Charles Cary Rumsey. The third is in front of the Court of Flowers, and the last at the entrance to the Court of Palms.

Paul Wayland Bartlett, Herbert Adams, Charles Niehaus, John J. Boyle, Frank Elwell, Frederick Ruckstuhl, to mention only a few of them, are all men of originality and power, whose work is a pleasure and an inspiration, and to whose hands the future of American sculpture may safely be confided.

Only an artist could have worked out this scheme in just this sensitive and appropriate way. We stopped at the vigorous equestrian statue of Cortez by Charles Niehaus at our right, close to the tower. "I always liked Cortez for his nerve. He didn't get much gratitude from his Emperor for conquering Mexico and annexing it to Spain.

Louis," generally considered one of the finest works of its kind, which stood at the very gateway to the Fair grounds, symbolizing the cordial welcome extended by the city to her guests from every part of the world, was the work of Charles H. Niehaus, of New York city.

He fills a niche all his own and is a most promising, gifted young sculptor. His "Spring Awakening" and "Playfulness" in the Twachtman Room of the Fine Arts Palace are delightfully exhilarating little figures. Charles Niehaus Charles Niehaus' great talent lies in the lines of monumental sculpture. He was born in Cincinnati, in 1855.

Niehaus in a series of articles on "Women Illustrators of America," whom she divided into classes, placed her with the "Story-Tellers." <b>FORBES, MRS. STANHOPE.</b> Mr. Norman Gastin, in an article upon the work of the Royal Academician, Stanhope Forbes, in the Studio, July, 1901, pays the following tribute to the wife of the artist, whose maiden name was Elizabeth Armstrong: "Mrs.

Charles Niehaus, whose work is always direct and convincing, has made us feel the Spanish conqueror's own sense of victory. We know that now Mexico, the Tlascalans and the Emperor Montezuma have been vanquished, that the victor's ruthless ambition is already dreaming of the conquest of New Spain and the navigation of the Pacific.