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He sent a letter, asking me to come to Medan, he would talk to me about the "Confessions." Well do I remember going there with dear Alexis in the May-time, the young corn six inches high in the fields, and my delight in the lush luxuriance of the l'Oise. That dear morning is remembered, and the poor master who reproved me a little sententiously, is dead.
In this same year, Guy de Maupassant, who had thrown in his lot with the Naturalist Novelists, contributed a short tale to the volume called Les Soirées de Médan, to which Zola, Huysmans, Hennique, Céard and Paul Alexis also affixed their names.
When the Parthian and the Medan kings ascertained this, they left him to continue his idle toil, for the walls were strong and many were defending them, but assailed Statianus off his guard and wearied on the march and slew the whole detachment except Polemon, king of Pontus, who was then accompanying the expedition. Him alone they took alive and released in exchange for ransom.
In the month of April, 1880, an article appeared in the "Le Gaulois" announcing the publication of the Soirees de Medan. It was signed by a name as yet unknown: Guy de Maupassant. After a juvenile diatribe against romanticism and a passionate attack on languorous literature, the writer extolled the study of real life, and announced the publication of the new work. It was picturesque and charming.
I'll introduce you to two celebrities. We will visit the homes of two artists." "But I have been ordered to go to the country!" "That's just where we'll go. On the way we'll call on Meissonier, at his place in Poissy; then we'll walk over to Medan, where Zola lives. I have been commissioned to obtain his next novel for our newspaper." Patissot, wild with joy, accepted the invitation.
And Isaac brought her into his mother Sarah's tent, and took Rebekah, and she became his wife; and he loved her: and Isaac was comforted after his mother's death. Then again Abraham took a wife, and her name was Keturah. And she bare him Zimran, and Jokshan, and Medan, and Midian, and Ishbak, and Shuah. And Jokshan begat Sheba, and Dedan.
It appeared in Les Soirées de Medan, and its originality quite outshone the more solid qualities of Zola's L'Attaque au Moulin, and a realistic tale of Huysmans's, Sac au dos. It was this knapsack of story, nevertheless, that opened the eyes of both Zola and Goncourt to the genuine realism of Huysmans as opposed to the more human but also more sentimental surface realism of Maupassant.
Following the example of one of his comrades of Medan, being readily carried away by precision of style and the rhythm of sentences, by the imperious rule of the ballad, of the pantoum or the chant royal, Maupassant also desired to write in metrical lines. However, he never liked this collection that he often regretted having published.
After crossing Poissy, they struck out on foot along the road to Medan. The road first followed the Seine, which is dotted with charming islands at this place. Then they went up a hill and crossed the pretty village of Villaines, went down a little; and finally reached the neighborhood inhabited by the author of the Rougon-Macquart series. A pretty old church with two towers appeared on the left.
In the month of April, 1880, an article appeared in the "Le Gaulois" announcing the publication of the Soirees de Medan. It was signed by a name as yet unknown: Guy de Maupassant. After a juvenile diatribe against romanticism and a passionate attack on languorous literature, the writer extolled the study of real life, and announced the publication of the new work. It was picturesque and charming.
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