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There is a most instructive study of faces in the portraits of the Austrian line. First comes Charles V., the First of Spain, painted by Titian at Augsburg, on horseback, in the armor he wore at Muhl-berg, his long lance in rest, his visor up over the eager, powerful face, the eye and beak of an eagle, the jaw of a bull-dog, the face of a born ruler, a man of prey.
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