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If not, O Lord, remove me hence!" The "Athenaeum", Oct. 26, 1853. The account of St. Patrick's Purgatory given by Luis Enius in this long narrative is taken immediately from the seventh, eighth, and ninth chapters of Montalvan's "Vida y Purgatorio de San Patricio", which, as already stated, are themselves a translation from the "Florilegium Insulae Sanctorum" of Messingham.
Some of these names are obvious enough; it is with regard to those that are rendered more obscure by the manner in which they are presented that the difficulty arises. The list is taken for the most part from the fourth chapter of Montalvan's "Vida y Purgatorio de San Patricio", but with the names singularly disconnected and misplaced.
Patrick's Purgatory is "Mensignano," with the reference in the margin of Montalvan's 'Vida y Purgatorio' to his 'Florilegium'. This of course is Messingham, out of whose book, aided by his own wild imagination, Perez de Montalvan created the character of Luis Enius, who is presented to us with such dramatic power by Calderon.
It is told in the sixth chapter of his "Vida y Purgatorio de San Patricio", and in the edition of 1628 fills over forty pages. Calderon follows the narrative very closely, but in one noticeable incident he greatly improves upon his predecessor. This is in the celebrated skeleton scene of the third act. The corresponding scene in Montalvan's story is puerile enough.
In Henry of Saltrey's account, as given by Messingham in 1624 and Colgan in 1647, this portion of the life of Enius is despatched even with more succinctness, but in Montalvan's 'Vida y Purgatorio de San Patricio', all his early crimes are detailed nearly in the order and almost in the very words that Calderon has used.
In the folio edition of Mathew Paris, London, 1604, the history of Oenus begins at the 72nd and ends at the 77th page. In Montalvan's life of St. Patrick, the adventures of Enius are given much more fully than either in Matthew Paris or Colgan.
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