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"FIRST couple, FACE out!" shouted Beasley, facing out with an invisible lady on his akimboed arm, while old Bob sawed madly at A New Coon in Town. "SECOND couple, FALL in!" Beasley wheeled about and enacted the second couple. "THIRD couple!" He fell in behind himself again. "FOURTH couple, IF you please! BALANCE ALL! I beg your pardon, Miss Molanna, I'm afraid I stepped on your train.
Hunchberg evidently the child's favorite, for he was described as the possessor of every engaging virtue and there was that lively matron, Mrs. Hunchberg; there were the Hunchberg young gentlemen, Tom, Noble, and Grandee; and the young ladies, Miss Queen, Miss Marble, and Miss Molanna all exceedingly gay and pretty.
The subject, however, is treated in a more subtly allegorical manner than by Ovid's direct imitators, and this mode of presentment likewise characterizes Spenser's tale of Molanna in the fragment on Mutability. Browne returned to a more crudely metamorphical tradition in the loves of Walla and Tavy, while a similarly mythological Naturanschauung may be traced in Drayton's chorographical epic.
"Ladies and gentlemen," said Beasley again and stopped again. Dowden's voice sounded hysterically in my right ear. But Beasley wasn't: he was only deliberating. "Ladies and gentlemen," he began "Mr. and Mrs. Hunchberg, Colonel Hunchberg and Aunt Cooley Hunchberg, Miss Molanna, Miss Queen, and Miss Marble Hunchberg, Mr. Noble, Mr. Tom, and Mr. Grandee Hunchberg, Mr.
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