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She herself was clad in the primrose-flowered paduasoy, with a petticoat of dark red satin and all her Mechlin lace for a fichu, while pearls her grand'maman's necklace were in her dark hair. Mrs. Beedie had woven her own frock with her own sturdy hands, and with a fresh mob-cap on her head and a very fresh rose on her cheek actively danced the whole night through.

Her hair, which was grey, was arranged in two plain divisions, under what I believe would be called a mob-cap; I mean a cap, much more common then than now, with side-pieces fastening under the chin. Her dress was of a lavender colour, and perfectly neat; but scantily made, as if she desired to be as little encumbered as possible.

One old lady, who claimed to be a scion of royalty, had a resplendent mob-cap; but the belles of the ball-room were decidedly to be found among the female attendants, who were bright, fresh-looking young women, in a neat, black uniform, with perky little caps, and bunches of keys hanging at their side like the rosary of a soeur de charité, or the chatelaines with which young ladies love to adorn themselves at present.

I required two lessons the second, oh how far harsher than even the first! In a moment I have taken my resolution. I am racing up-stairs. I have reached my room. I do not summon my maid. One requires no assistance to enable one to unbuild, deface, destroy. In a second in much less time than it takes me to write it I have torn off the mob-cap, and thrown it on the floor.

She just missed being beautiful, and in missing it was not even pretty. But when Stroeve spoke of Chardin it was not without reason, and she reminded me curiously of that pleasant housewife in her mob-cap and apron whom the great painter has immortalised.

The lacework of its fantasy became daintily apparent in the conceits with which it broidered over all the common objects familiar in homely lives. The pump, in yards where that had supplanted the old-fashioned curb, wore a heavy mob-cap. The vane on the barn was delicately sifted over, and the top of every picket in the high front-yard fence had a fluffy peak.

Then the great mob-cap was shaken off, yet the face of this maid was still hid from him by reason of her hair that, escaping its fastenings, fell down, over bowed neck and white shoulders, rippling to the floor a golden glory. And now, beholding the shining splendor of this hair, his breath caught, and as one entranced, he gazed down at her, fearing to move. "Cleone!" he breathed, at last.

We don't count many millions in Europe, and there's no shame in submitting to force majeure, if a stand was once made; and we're mixed up, 'tis true, well or ill; and we're stronger, both of us, united than tearing to strips: and so, there, for the past! so long as we can set our eyes upon something to admire, instead of a bundle squatting fat on a pile of possessions and vowing she won't budge; and taking kicks from a big foot across the Atlantic, and shaking bayonets out of her mob-cap for a little one's cock of the eye at her: and she's all for the fleshpots, and calls the rest of mankind fools because they're not the same: and so long as she can trim her ribands and have her hot toast and tea, with a suspicion of a dram in it, she doesn't mind how heavy she sits: nor that 's not the point, nor 's the land question, nor the potato crop, if only she wore the right sort of face to look at, with a bit of brightness about it, to show an idea inside striking alight from the day that's not yet nodding at us, as the tops of big mountains do: or if she were only braced and gallant, and cried, Ready, though I haven't much outlook!

But the forbidden thing was already tasted, and possible danger in its full acquisition only served to make it more precious-sweet. Bell sat upright in her chair, gazing into the fire. Her milk-white linen mob-cap fringed round and softened her face, from which the usual apple-red was banished by illness, and the features, from the same cause, rendered more prominent and stern.

A young man, in sailor costume and with a bundle on his shoulder, stands with his right hand on the latch of the door, right center, but looking back with a sorrowful expression at his wife personated by a young lady in short black or blue skirt, red or white blouse, and white mob-cap who sits with her apron up to her eyes in an apparent agony of grief.