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The coincidence with the African and Melanesian cases is, therefore, probably undesigned. Again, in 1694, the rod was used by le Père Menestrier and others, just as it is by savages, to indicate by its movements answers to all sorts of questions.
The latter monument, as well as others of inferior merit, owed its preservation from revolutionary fury to the conduct and firmness of Mons. Menestrier, an avocat, and mayor of Auxerre during the reign of terror.
Menestrier gives no less than 514 different devices, founded upon the properties of the sun alone. Though devices previous to the reign of Henry VIII. were seldom worn in England, yet the insignia of the order of the Garter, instituted in 1350, in connection with its well-known motto and assumed origin, may be considered a genuine device.
Nicholas, quite consistent with the character of M. Menestrier, as described by the old man. Had the latter felt that inclination to romance, which is not uncommon among his brethren, he would probably have adopted the hacknied legend, that both monuments were miraculously secreted from the eyes of the marauders. April 28. To Joigny, where we breakfasted, twenty-one miles.
These early painters have made up their Paganism for themselves, out of all pleasant things they knew; their fancy has brooded upon it; and the very details that make us laugh, the details coming direct from the Middle Ages, the spirit in glaring opposition occasionally to that of Antiquity, bring home to us how completely this Pagan fairyland is a genuine reality to these men. We feel this in nearly all the work of that sort least, in the archæological Mantegna's. We see it beginning in the mere single figures the various drawings of Orpheus, "Orpheus le doux menestrier jouant de flutes et de musettes," as Villon called him, much about that time piping or fiddling among little toy animals out of a Nuremberg box; the drawing of fauns carrying sheep, some with a queer look of the Good Shepherd about them, of Pinturicchio; and rising to such wonderful exhibitions (to me, with their obscure reminiscence of pageants, they always seem like ballets) as Perugino's Ceiling of the Cambio, where, among arabesqued constellations, the gods of antiquity move gravely along: the bearded knight Mars, armed cap-
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