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Klindworth's texture is more closely chromatic and it sounds better, the chromatic parallelism being more carefully preserved. Yet I fancy that Kullak has tradition on his side. The seventeenth prelude Niecks finds Mendelssohn-ian. I do not. It is suave, sweet, well developed, yet Chopin to the core, and its harmonic life surprisingly rich and novel. The mood is one of tranquillity.
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