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Scot, for instance, says, "They are women which commonly be old, lame, bleare-eied, pale, fowle, and full of wrinkles.... They are leane and deformed, showing melancholie in their faces;" and Harsnet describes a witch as "an old weather-beaten crone, having her chin and knees meeting for age, walking like a bow, leaning on a staff, hollow-eyed, untoothed, furrowed, having her lips trembling with palsy, going mumbling in the streets; one that hath forgotten her Pater-noster, yet hath a shrewd tongue to call a drab a drab."

Now, Roger makes no mention whatever of "testudo," while Roland says: "Nota quod quamvis Rogerius non designat inter glandulum et testudinem, scias igitur quod testudo fit ex majori parte flegmatica, minori melancholie, glandula vero a contrario," a statement which might readily suggest the suspicion that Gilbert had before his eyes the text of Roland, or that, at least, he had not acquired his knowledge of testudo from Roger, his usual surgical authority.

It produced what Burton calls "a windie melancholie," which was nothing else than an accumulation of courage that had no means of escaping, if courage can without indignity be ever said to escape. He sat uneasy on his lap-board.

She played then such pieces as the Violin Concerto, by Viotti, Alard’s Souvenir the Daughter of the Regiment, Souvenir de Gretry, Souvenir de Mozart, by Leonard, and the Tremolo, by De Beriot. She also gave at times the Witches’ Dance, by Paganini and La Melancholie, by Prune. After some delay Camilla joined her father and mother at New York, and the family were once more reunited.

He appears to have been a good scholar, and wrote the Passionate Sparke of a Relenting Minde, and Anatomy of Humours, the latter of which is believed to have suggested to Burton his Anatomy of Melancholie. He became an austere Franciscan. Poet, of a Cumberland family, studied medicine at Edin., was an army surgeon, and on the peace settled in practice in London, where he became the friend of Dr.

But there his sickness of heart turned to illness of body; he became so "vehement sick" that his life was despaired of; he was "very near strangled to death by extreme melancholie." One hope remained, that the Queen might restore some confidence to his failing strength and mind by an heir to the crown, another James, for whom it might be worth while to live.

In reply Boris wrote these lines: Aliment de poison d'une ame trop sensible, Toi, sans qui le bonheur me serait impossible, Tendre melancholie, ah, viens me consoler, Viens calmer les tourments de ma sombre retraite, Et mele une douceur secrete A ces pleurs que je sens couler. *

He pictured vividly the course which a witchcraft case often ran: "One sort of such as are said to bee witches are women which be commonly old, lame, bleare-eied, pale, fowle, and full of wrinkles; ... they are leane and deformed, shewing melancholie in their faces; ... they are doting, scolds, mad, divelish.... These miserable wretches are so odious unto all their neighbors, and so feared, as few dare offend them, or denie them anie thing they aske: whereby they take upon them, yea, and sometimes thinke, that they can doo such things as are beyond the abilitie of humane nature.

I doubt even if he had a sense of humour in the ordinary meaning of that term, or in the Frenchman's definition: "la mélancholie gaie que les Anglais nomment 'humour." To say this is not to say that he did not enjoy a humorous, an ironic, a witty, or an epigrammatic story or saying. He enjoyed such things immensely and would laugh heartily at them.

Lyly died in 1606, leaving, as he said, but three legacies; "Patience to my creditors, Melancholie without measure to my friends, and Beggarie without shame to my family." The deeper meaning of Lyly's work, which lies beneath the surface of his similes and antitheses, has escaped almost all his critics. It is suggested by the title, "Euphues, The Anatomy of Wit."