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These in some instances present rather interesting features, which may throw historical light on the archeology of the subject. Some of these figured Matzoth are oval, one I have seen star-shaped, but almost all are circular in form. Many, however, unlike the modern Matzah and owing to the shape of the mould, have a broad border distinct from the rest of the cake.
One fanciful picture deserves special mention, as it is the only one of the kind in all the illustrated manuscripts and printed Haggadahs in the Oxford and British Museum libraries. This Matzah occurs in an Italian manuscript of the fourteenth century. It is adorned with a flowered border, and in the centre appears a human-faced quadruped of apparently Egyptian character.
In yet another manuscript the Matzah has a border, divided by small lines into almost rectangular sections, while the body of the cake is ornamented with a design in which variously shaped figures, quadrilaterals and triangles, are irregularly interspersed.
When it was first proposed to introduce Matzah machines in London, the resistance came chiefly from the manufacturers, and not from the ecclesiastical authorities. The bakers refused categorically to make square Matzoth, declaring that if they did so, their stock would be unsalable.
The Geonim, however, explain that they were made in the forms of birds, beasts, and fishes. I have seen Matzoth made in this way in London, and have myself eaten many a Matzah sheep and monkey, but, unfortunately, I cannot recollect whether it was during Passover. In Holland, these shaped cakes are still used, but in "strict" families only before the Passover.
It may be that the Jews made their Passover cakes, which were thicker than ours and harder to break, in the same way. But, besides, the small holes and indentations that cover the surface of the modern Matzah might, if the Matzah be held in certain positions, possibly be mistaken for a cross.
Some Minhagim are more firmly rooted than actual laws, and this custom is one of them. In one of his cartoons, Picard has an illustration which is apparently that of a squarish Matzah; this may, however, be only a case of defective drawing.
The Crawford Haggadah, now in the Ryland library, Manchester, pictures a round Matzah through which a pretty flowered design runs.
The lines, unless they be mere pictorial embellishments, are, possibly, as in the Leeds cakes, rows of indentations resulting from the punctuation of the Matzah.
It must not be thought that this idea at least was never literally realized, for only last year I was shown a Matzah made after a very similar design, possibly not for use on the first two nights of Passover. The bread of affliction recalls the Egyptian bonds, and it is an ingenious idea to bid us ourselves turn the ancient chains to profitable use by eating them.
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