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In this connection the last sentence in the remarks of Wouweren, alluded to above, is strangely to the point. After stating his emendation of "veretriculis or veretellis" for "utriculis," he says: "Unless someone proves that images of Marsyas were fashioned in the likeness of bag-pipers," a fine instance of clarity of vision for so dark an age.

Now the centurion who was set to keep Agrippa, when he saw with what haste Marsyas came, and what joy Agrippa had from what he said, he had a suspicion that his words implied some great innovation of affairs, and he asked them about what was said.

I say, then, that he is exactly like the masks of Silenus, which may be seen sitting in the statuaries' shops, having pipes and flutes in their mouths; and they are made to open in the middle, and there are images of gods inside them. I say also that he is like Marsyas the satyr. You will not deny this, Socrates, that your face is like that of a satyr.

Besides these popular songs, there were the religious and heroic poems of the bards, who were, for the most part, natives of that portion of the country which surrounds the mountains of Helicon and Parnassus, distinguished as the home of the Muses. Among the bards devoted to the worship of Apollo and other deities, were Marsyas, the inventor of the flute, Musaeus and Orpheus.

But whether he or Arnold in the right is, Long is the argument, the quarrel long; Non nobis est to settle tantas lites; No poet I, to judge of right or wrong: But of all things I always think a fight is The most unpleasant in the lists of song; When Marsyas of old was flayed, Apollo Set an example which we need not follow. The fashion changes!

In four years, without the spilling of a drop of blood, Robinson brought them all in, willing captives, and delivered them to the white governor, and ended the war which powder and bullets, and thousands of men to use them, had prosecuted without result since 1804. Marsyas charming the wild beasts with his music that is fable; but the miracle wrought by Robinson is fact.

Minerva invented the flute, and played upon it to the delight of all the celestial auditors; but the mischievous urchin Cupid having dared to laugh at the queer face which the goddess made while playing, Minerva threw the instrument indignantly away, and it fell down to earth, and was found by Marsyas.

Thither comes the young Apollo, calmly confident as ever; and he meeteth certain Mercuries of the baser sort, who do him obeisance, call him captain and lord, and then proceed to skin him from head to foot as thoroughly as the god himself flayed Marsyas in days of yore, at a certain Spring Meeting in Phrygia: a good instance of Time's revenges.

And so well did the elderly Nubian succeed that Marsyas, a handsome young Ligurian, after she had gone, declared that Aisopion's jokes and stories were enough to bring the dead to life, and it was as pleasant to talk seriously with the brown-skinned monster as to dally with a fair-haired sweetheart.

And although many of them, such as Andrea Verrocchio and Antonio del Pollaiuolo, and many others more modern, began to seek to make their figures with more study, so as to reveal in them better draughtsmanship, with a degree of imitation more correct and truer to nature, nevertheless the whole was not yet there, even though they had one very certain assurance namely, that they were advancing towards the good, and their figures were thus approved according to the standard of the works of the ancients, as was seen when Andrea Verrocchio restored in marble the legs and arms of the Marsyas in the house of the Medici in Florence.