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It suddenly appeared that Katerina Ivanovna had in her hands the very certificate of honour of which Marmeladov had spoken to Raskolnikov in the tavern, when he told him that Katerina Ivanovna, his wife, had danced the shawl dance before the governor and other great personages on leaving school.

"That's his notion!" "Talked himself silly!" "A fine clerk he is!" And so on, and so on. "Let us go, sir," said Marmeladov all at once, raising his head and addressing Raskolnikov "come along with me... Kozel's house, looking into the yard. I'm going to Katerina Ivanovna time I did." Raskolnikov had for some time been wanting to go and he had meant to help him.

What's this?" she cried, noticing a crowd in the passage and the men, who were pushing into her room, carrying a burden. "What is it? What are they bringing? Mercy on us!" "Where are we to put him?" asked the policeman, looking round when Marmeladov, unconscious and covered with blood, had been carried in. "On the sofa! Put him straight on the sofa, with his head this way," Raskolnikov showed him.

At six o'clock I saw Sonia get up, put on her kerchief and her cape, and go out of the room and about nine o'clock she came back. She walked straight up to Katerina Ivanovna and she laid thirty roubles on the table before her in silence. Marmeladov stopped short, as though his voice had failed him. Then he hurriedly filled his glass, drank, and cleared his throat.

Raskolnikov's pale face flushed, a shudder passed over him, his eyes glowed. "Mother," he said, firmly and insistently, "this is Sofya Semyonovna Marmeladov, the daughter of that unfortunate Mr. Marmeladov, who was run over yesterday before my eyes, and of whom I was just telling you." Pulcheria Alexandrovna glanced at Sonia, and slightly screwed up her eyes.

At that moment a whole party of revellers already drunk came in from the street, and the sounds of a hired concertina and the cracked piping voice of a child of seven singing "The Hamlet" were heard in the entry. The room was filled with noise. The tavern-keeper and the boys were busy with the new-comers. Marmeladov paying no attention to the new arrivals continued his story.

And throwing over her head that green shawl which Marmeladov had mentioned to Raskolnikov, Katerina Ivanovna squeezed her way through the disorderly and drunken crowd of lodgers who still filled the room, and, wailing and tearful, she ran into the street with a vague intention of going at once somewhere to find justice.

There had been no costume for Lida; she simply had a red knitted cap, or rather a night cap that had belonged to Marmeladov, decorated with a broken piece of white ostrich feather, which had been Katerina Ivanovna's grandmother's and had been preserved as a family possession. Polenka was in her everyday dress; she looked in timid perplexity at her mother, and kept at her side, hiding her tears.

The laughter and the oaths came from those who were listening and also from those who had heard nothing but were simply looking at the figure of the discharged government clerk. "To be pitied! Why am I to be pitied?" Marmeladov suddenly declaimed, standing up with his arm outstretched, as though he had been only waiting for that question. "Why am I to be pitied, you say?

Evidently Marmeladov was a familiar figure here, and he had most likely acquired his weakness for high-flown speeches from the habit of frequently entering into conversation with strangers of all sorts in the tavern. This habit develops into a necessity in some drunkards, and especially in those who are looked after sharply and kept in order at home.