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Thirdly, of the features of Iban culture which are common to them and to the other tribes of Borneo, many seem to have been borrowed by them from their neighbours, and often in an incomplete or imperfect manner; such are the system of omenreading, the ritual slaughter of fowls and pigs, much of their dancing and tatuing, the PARANG ILANG and wooden shield, the feathered war-coat of skin, the KELURI or small bag-pipe, and the fashion of wearing their hair, all these seem to have been borrowed from the Kayans; the woman's corset of brassbound hoops, from the Malohs; the mat worn posteriorly for sitting upon, from the Kenyahs.
The Malohs, a Klemantan sub-tribe in the upper basin of the Kapuas river, are well known as brass-workers; their wares are bartered throughout the country, and a few Maloh brass-workers may be found temporarily settled in many of the larger villages of all tribes.
Malohs supply a large proportion of all the brass-ware to be found in the interior. This addiction to brass-working suggests that they represent an immigration from Java, which has long enjoyed a great reputation for its brass-ware and an extensive market throughout the islands.
It is an interesting question whether this may be due to a dash of Hindu blood; the facial type and the more abundant growth of hair on the face would support an affirmative answer. The Malohs are a well-marked tribe found on the Kalis and Mandai rivers, tributaries of the Kapuas River.
They speak a language very different from those of the central and northern parts of the island, but speak also the Iban language with a peculiar accent. The Malohs alone of all the peoples of Borneo eat the flesh of the crocodile. The most distinctive feature of their culture is their skill and industry in brass working.
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